Charlie Parker, Composer reexamines the renowned jazz improviser as a composer in his own right, assessing 84 of his original works with a focus on their aesthetic qualities and historical context.
Charlie Parker, Composer reexamines the renowned jazz improviser as a composer in his own right, assessing 84 of his original works with a focus on their aesthetic qualities and historical context.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Henry Martin is Professor of Music at Rutgers University in Newark. He is a composer, music theorist, and pianist with a long list of compositions, articles, books, and performances. He is the author of Charlie Parker and Thematic Improvisation (1996), Counterpoint: A Species Approach Based on Schenker's Counterpoint (2005), and Jazz: The First 100 Years (co-authored with Keith Waters, 2014). His articles and reviews have appeared in Music Theory Spectrum, Journal of Music Theory, Perspectives of New Music, among many others.
Inhaltsangabe
Table 1 Table 2 List of Examples and Tables Preface and Acknowledgments Introduction: Jazz Composition and Parker as Jazz Composer Chapter 1: Music Background and Compositional Overview Chapter 2: 32-Bar Rhythm Changes Compositions Chapter 3: Other 32-Bar AABA Compositions Chapter 4: 32-Bar ABAC Compositions Chapter 5: Through-Composed Blues in C Chapter 6: Through-Composed Blues in Other Keys Chapter 7: 32-Bar Compositions with A Section or Partial A Section Chapter 8: Riff Blues Chapter 9: Improvisational Frames with Composed Sections and Non-Standard Works Chapter 10: Summary and Assessment Bibliography Index
Table 1 Table 2 List of Examples and Tables Preface and Acknowledgments Introduction: Jazz Composition and Parker as Jazz Composer Chapter 1: Music Background and Compositional Overview Chapter 2: 32-Bar Rhythm Changes Compositions Chapter 3: Other 32-Bar AABA Compositions Chapter 4: 32-Bar ABAC Compositions Chapter 5: Through-Composed Blues in C Chapter 6: Through-Composed Blues in Other Keys Chapter 7: 32-Bar Compositions with A Section or Partial A Section Chapter 8: Riff Blues Chapter 9: Improvisational Frames with Composed Sections and Non-Standard Works Chapter 10: Summary and Assessment Bibliography Index
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