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This work traces the development of jazz saxophonist Charlie Parker from the musical and cultural environment of Kansas City. Interviews with primary sources provide new information and insight concerning the events and chronology of Parker s early life. Transcription and analysis of sixteen early solos illuminate Parker''s improvisational language from the years 1940-42. In these early solos, the most important categories of improvisational techniques include emulations and quotations from various sources. Parker quotes Lester Young, Buster Smith, Roy Eldridge, Coleman Hawkins, and popular…mehr

Produktbeschreibung
This work traces the development of jazz saxophonist
Charlie Parker from the musical and cultural
environment of Kansas City. Interviews with primary
sources provide new information and insight
concerning the events and chronology of Parker s
early life. Transcription and analysis of sixteen
early solos illuminate Parker''s improvisational
language from the years 1940-42. In these early
solos, the most important categories of
improvisational techniques include emulations and
quotations from various sources. Parker quotes
Lester Young, Buster Smith, Roy Eldridge, Coleman
Hawkins, and popular tunes of the day, demonstrating
the importance of the African-American oral and aural
transmission of musical vocabulary in the jazz
tradition. This work should be especially useful to
professionals in areas of jazz saxophone performance,
jazz studies, and ethnomusicology.
Autorenporträt
Kent J. Engelhardt, Ph.D. is a jazz saxophonist and
ethnomusicologist. He is an associate professor of jazz studies,
saxophone, and clarinet, as well as the Coordinator of Jazz
Studies at Youngstown State University in Youngstown, Ohio.