Cheap Print and Popular Song in the Nineteenth Century
A Cultural History of the Songster
Herausgeber: Watt, Paul; Spedding, Patrick; Scott, Derek B
Cheap Print and Popular Song in the Nineteenth Century
A Cultural History of the Songster
Herausgeber: Watt, Paul; Spedding, Patrick; Scott, Derek B
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This is the first book to detail the musical and cultural significance of the songster.
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This is the first book to detail the musical and cultural significance of the songster.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 264
- Erscheinungstermin: 23. März 2017
- Englisch
- Abmessung: 257mm x 186mm x 18mm
- Gewicht: 685g
- ISBN-13: 9781107159914
- ISBN-10: 1107159911
- Artikelnr.: 48432709
- Verlag: Cambridge University Press
- Seitenzahl: 264
- Erscheinungstermin: 23. März 2017
- Englisch
- Abmessung: 257mm x 186mm x 18mm
- Gewicht: 685g
- ISBN-13: 9781107159914
- ISBN-10: 1107159911
- Artikelnr.: 48432709
1. The nineteenth-century songster: recovering a lost musical artefact Paul
Watt, Derek B. Scott and Patrick Spedding; Part I. Production, Function and
Commerce: 2. American secular songsters in the nineteenth century: an
overview Norm Cohen; 3. The prefaces to songsters: the law, aesthetics,
performers and performance Paul Watt; 4. The genesis of Thomas Moore's
Irish Melodies, 1808-34 Sarah McCleave; Part II. Politics: 5. The US
Presidential campaign songster, 1840-1900 Derek B. Scott; 6. Friendship,
cosmopolitan connections and late Victorian socialist songbook culture Kate
Bowan; 7. 'Confound their politics': the political uses of God Save the
King-Queen Paul Pickering; 8. Charles Robert Thatcher's songsters: politics
on the goldfields of Victoria, Australia Mark Pinner; Part III. Nation,
Place and Purpose: 9. Rethinking the songster and national-cosmopolitan
identity in Lowland Scotland, c.1787-1830 Andrew Greenwood; 10. The
blackface songster in Britain Michael Pickering; 11. Popular songsters and
the British military: the case of The Girl I Left Behind Me Anthea Skinner;
12. Australian songsters and the Australian folk song movement Graeme
Smith.
Watt, Derek B. Scott and Patrick Spedding; Part I. Production, Function and
Commerce: 2. American secular songsters in the nineteenth century: an
overview Norm Cohen; 3. The prefaces to songsters: the law, aesthetics,
performers and performance Paul Watt; 4. The genesis of Thomas Moore's
Irish Melodies, 1808-34 Sarah McCleave; Part II. Politics: 5. The US
Presidential campaign songster, 1840-1900 Derek B. Scott; 6. Friendship,
cosmopolitan connections and late Victorian socialist songbook culture Kate
Bowan; 7. 'Confound their politics': the political uses of God Save the
King-Queen Paul Pickering; 8. Charles Robert Thatcher's songsters: politics
on the goldfields of Victoria, Australia Mark Pinner; Part III. Nation,
Place and Purpose: 9. Rethinking the songster and national-cosmopolitan
identity in Lowland Scotland, c.1787-1830 Andrew Greenwood; 10. The
blackface songster in Britain Michael Pickering; 11. Popular songsters and
the British military: the case of The Girl I Left Behind Me Anthea Skinner;
12. Australian songsters and the Australian folk song movement Graeme
Smith.
1. The nineteenth-century songster: recovering a lost musical artefact Paul
Watt, Derek B. Scott and Patrick Spedding; Part I. Production, Function and
Commerce: 2. American secular songsters in the nineteenth century: an
overview Norm Cohen; 3. The prefaces to songsters: the law, aesthetics,
performers and performance Paul Watt; 4. The genesis of Thomas Moore's
Irish Melodies, 1808-34 Sarah McCleave; Part II. Politics: 5. The US
Presidential campaign songster, 1840-1900 Derek B. Scott; 6. Friendship,
cosmopolitan connections and late Victorian socialist songbook culture Kate
Bowan; 7. 'Confound their politics': the political uses of God Save the
King-Queen Paul Pickering; 8. Charles Robert Thatcher's songsters: politics
on the goldfields of Victoria, Australia Mark Pinner; Part III. Nation,
Place and Purpose: 9. Rethinking the songster and national-cosmopolitan
identity in Lowland Scotland, c.1787-1830 Andrew Greenwood; 10. The
blackface songster in Britain Michael Pickering; 11. Popular songsters and
the British military: the case of The Girl I Left Behind Me Anthea Skinner;
12. Australian songsters and the Australian folk song movement Graeme
Smith.
Watt, Derek B. Scott and Patrick Spedding; Part I. Production, Function and
Commerce: 2. American secular songsters in the nineteenth century: an
overview Norm Cohen; 3. The prefaces to songsters: the law, aesthetics,
performers and performance Paul Watt; 4. The genesis of Thomas Moore's
Irish Melodies, 1808-34 Sarah McCleave; Part II. Politics: 5. The US
Presidential campaign songster, 1840-1900 Derek B. Scott; 6. Friendship,
cosmopolitan connections and late Victorian socialist songbook culture Kate
Bowan; 7. 'Confound their politics': the political uses of God Save the
King-Queen Paul Pickering; 8. Charles Robert Thatcher's songsters: politics
on the goldfields of Victoria, Australia Mark Pinner; Part III. Nation,
Place and Purpose: 9. Rethinking the songster and national-cosmopolitan
identity in Lowland Scotland, c.1787-1830 Andrew Greenwood; 10. The
blackface songster in Britain Michael Pickering; 11. Popular songsters and
the British military: the case of The Girl I Left Behind Me Anthea Skinner;
12. Australian songsters and the Australian folk song movement Graeme
Smith.