Cheap Rents... and de Kooning revisits the New York downtown art scene between 1957 and 1963, when the Tenth street galleries were the center of the art world and inexpensive lofts were available. John Cohen took a series of the artist's haunts-among them the Cedar Tavern, the Club and the Tanager Gallery-and created a definitive photographic impression of a hell-bent, headstrong time. De Kooning's studio was in the middle of the bloc. Abstract Expressionists, Pop Artists, Performance Art and the Happenings were all happening there along with the Beat Generation. It was the hatchery of new ideas and avant-garde thinking in downtown Manhattan.…mehr
Cheap Rents... and de Kooning revisits the New York downtown art scene between 1957 and 1963, when the Tenth street galleries were the center of the art world and inexpensive lofts were available. John Cohen took a series of the artist's haunts-among them the Cedar Tavern, the Club and the Tanager Gallery-and created a definitive photographic impression of a hell-bent, headstrong time. De Kooning's studio was in the middle of the bloc. Abstract Expressionists, Pop Artists, Performance Art and the Happenings were all happening there along with the Beat Generation. It was the hatchery of new ideas and avant-garde thinking in downtown Manhattan.
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Autorenporträt
John Cohen, born in 1932 in New York, is a photographer, filmmaker and musician. An MFA graduate from Yale University School of Fine Arts, Cohen was active in the artistic circles of late-1950s and early-1960s New York, and worked with Robert Frank on his film "Pull My Daisy" (1959). Steidl has published Cohen's Past Present Peru (2010), The High and Lonesome Sound. The Legacy of Roscoe Holcomb (2012) and Here and Gone. Bob Dylan, Woody Guthrie & the 1960s (2014).
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