"Richly illustrated, the first monograph to examine artist Cheyney Thompson's oeuvre the way he reimagines complex data to investigate history, production, labor & the artworld itself"--
"Richly illustrated, the first monograph to examine artist Cheyney Thompson's oeuvre the way he reimagines complex data to investigate history, production, labor & the artworld itself"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christian Schaernack is a Berlin-based arts journalist who has covered arts since the mid-1990s, including extensive writing for the Neue Zürcher Zeitung.
Inhaltsangabe
Preface xi Passage I. In the /Name/ of Painting 1 Passage II. Gericault--Kippenberger--Thompson 11 Passage III. The "Landlord" Series 23 Passage IV. Grey Paintings: From the Studio (Floor) to the Gallery (Wall) 37 Passage V. Black Paintings: On Facture, and a 'Rite of Passage' 45 Passage VI. Chromachromes 57 Passage VII. The Chromachrome: From Tableau to Dispositif 65 Passage VIII. The World of Robert Macaire 77 Passage IX. A Signature is a Signature...From Mimesis to Metaphor 83 Passage X. Chronochromes (recit): Metaphors of the Gestural 91 Passage XI. The Completed Reference: Pedestals and Drunken Walks, 2012 101 Passage XII. Stochastic Process Paintings 113 Passage XIII. Quantity Paintings 127 Passage XIV. Somewhere Some Pictures Sometiems, 2017 137 Passage XV. Bellona, Rubens, and Cezanne: The Reconstruction of Possible Histories, or History Reconfigured 151 Passage XVI. ABHK, 2019 171 Passage XVII. Recit: From "Cezanne's Doubt" to Schrodinger's Cat and into the "Age of Surveillance Capitalism" ... 183 Coda 193 Acknowledgments 195 Notes 197
Preface xi Passage I. In the /Name/ of Painting 1 Passage II. Gericault--Kippenberger--Thompson 11 Passage III. The "Landlord" Series 23 Passage IV. Grey Paintings: From the Studio (Floor) to the Gallery (Wall) 37 Passage V. Black Paintings: On Facture, and a 'Rite of Passage' 45 Passage VI. Chromachromes 57 Passage VII. The Chromachrome: From Tableau to Dispositif 65 Passage VIII. The World of Robert Macaire 77 Passage IX. A Signature is a Signature...From Mimesis to Metaphor 83 Passage X. Chronochromes (recit): Metaphors of the Gestural 91 Passage XI. The Completed Reference: Pedestals and Drunken Walks, 2012 101 Passage XII. Stochastic Process Paintings 113 Passage XIII. Quantity Paintings 127 Passage XIV. Somewhere Some Pictures Sometiems, 2017 137 Passage XV. Bellona, Rubens, and Cezanne: The Reconstruction of Possible Histories, or History Reconfigured 151 Passage XVI. ABHK, 2019 171 Passage XVII. Recit: From "Cezanne's Doubt" to Schrodinger's Cat and into the "Age of Surveillance Capitalism" ... 183 Coda 193 Acknowledgments 195 Notes 197
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