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From An Affair to Remember to Legally Blonde, chick flicks have long been both championed and vilified by women and men, scholars and popular audiences. Like other forms of chick culture, which the editors define as a group of mostly American and British popular culture media forms focused primarily on twenty- to thirtysomething, middle-class-and frequently college-educated-women, chick flicks have been accused of reinscribing traditional attitudes and reactionary roles for women. On the other hand, they have been embraced as pleasurable and potentially liberating entertainments, assisting women in negotiating the challenges of contemporary life.…mehr

Produktbeschreibung
From An Affair to Remember to Legally Blonde, chick flicks have long been both championed and vilified by women and men, scholars and popular audiences. Like other forms of chick culture, which the editors define as a group of mostly American and British popular culture media forms focused primarily on twenty- to thirtysomething, middle-class-and frequently college-educated-women, chick flicks have been accused of reinscribing traditional attitudes and reactionary roles for women. On the other hand, they have been embraced as pleasurable and potentially liberating entertainments, assisting women in negotiating the challenges of contemporary life.
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Autorenporträt
Suzanne Ferriss is Professor of English at Nova Southeastern University. She has co-edited two volumes on the cultural study of fashion: On Fashion and Footnotes: On Shoes. She is also co-author of A Handbook of Literary Feminisms (Oxford University Press, 2002). Most recently, she co-edited Chick Lit: The New Woman's Fiction (Routledge, 2006) with Mallory Young. Mallory Young is Professor of English and French at Tarleton State University. She has published on a variety of topics, from the Odyssey to Texas women's literature and, with Suzanne Ferriss, has co-authored several articles on chick culture. She and Ferriss co-edited Chick Lit: The New Woman's Fiction (Routledge, 2006).