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How can a mother just stand by when her daughter is being cozened into sin? It's 1360, eleven years since the Black Death devastated all of England, and six years since Emma Ward fled Meonbridge with her children, to find a more prosperous life in Winchester. Long satisfied that she'd made the right decision, Emma is now terrified that she was wrong. For she's convinced her daughter Bea is in grave danger, being exploited by her scheming and immoral mistress. Bea herself is confused: fearful and ashamed of her sudden descent into sin, but also thrilled by her wealthy and attentive client. When…mehr

Produktbeschreibung
How can a mother just stand by when her daughter is being cozened into sin? It's 1360, eleven years since the Black Death devastated all of England, and six years since Emma Ward fled Meonbridge with her children, to find a more prosperous life in Winchester. Long satisfied that she'd made the right decision, Emma is now terrified that she was wrong. For she's convinced her daughter Bea is in grave danger, being exploited by her scheming and immoral mistress. Bea herself is confused: fearful and ashamed of her sudden descent into sin, but also thrilled by her wealthy and attentive client. When Emma resolves to rescue Bea from ruin and tricks her into returning to Meonbridge, Bea doesn't at first suspect her mother's motives. She is happy to renew her former friendships but, yearning for her rich lover, Bea soon absconds back to the city. Yet, only months later, plague is stalking Winchester again and, in terror, Bea flees once more to Meonbridge. But, this time, she finds herself unwelcome, and fear, hostility and hatred threaten... Terror, betrayal and deceit, but also love and courage, in a time of continuing change and challenge - Children's Fate, the fourth MEONBRIDGE CHRONICLE.
Autorenporträt
CAROLYN HUGHES has lived much of her life in Hampshire. With a first degree in Classics and English, she started working life as a computer programmer, then a very new profession. But it was technical authoring that later proved her vocation, word-smithing for many different clients, including banks, an international hotel group and medical instruments manufacturers.Although she wrote creatively on and off for most of her adult life, it was not until her children flew the nest that writing historical fiction took centre stage. But why historical fiction? Serendipity!Seeking inspiration for what to write for her Creative Writing Masters, she discovered the handwritten draft, begun in her twenties, of a novel, set in fourteenth century rural England... Intrigued by the period and setting, she realised that, by writing a novel set in the period, she could learn more about the medieval past and interpret it, which seemed like a thrilling thing to do. A few days later, the first Meonbridge Chronicle, Fortune's Wheel, was under way.Six published books later (with more to come), Carolyn does now think of herself as an Historical Novelist. And she wouldn't have it any other way...Carolyn has a Master's in Creative Writing from Portsmouth University and a PhD from the University of Southampton.