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This novel, crossed by the new technologies of the information and the communication, approaches the novel aesthetics with virtuosity. The intermediality and intertextuality interact through television, telephone, video and social networks of the Internet as Facebook, Twitter, WhatsApp, Linkedln, Yahoo to which are added literary allusions. The media allow the narrator to evoke several themes through the memories of the characters. By setting the novel in an imaginary setting, the narrator treats with tragic humor sometimes ironic, contemporary problems. To the refrain of miserable pensioners,…mehr

Produktbeschreibung
This novel, crossed by the new technologies of the information and the communication, approaches the novel aesthetics with virtuosity. The intermediality and intertextuality interact through television, telephone, video and social networks of the Internet as Facebook, Twitter, WhatsApp, Linkedln, Yahoo to which are added literary allusions. The media allow the narrator to evoke several themes through the memories of the characters. By setting the novel in an imaginary setting, the narrator treats with tragic humor sometimes ironic, contemporary problems. To the refrain of miserable pensioners, echo young people disoriented by insecurity, unemployment, floods, inflation, the prison system, demagogy and mismanagement. They turn to banditry and illegal immigration with the threat of red tape, smugglers, terrorism and new forms of slavery. This original work is also about love, myths and hope through the salutary initiatives of characters who think that the land of milk and honey is an illusion of the topos. Everyone can make it their own.
Autorenporträt
Dr Moussa Camara is a Senegalese, member of the Ecole Doctorale Arts, Cultures et Civilisation and the Laboratoire de Littérature Française, Francophone et Comparée at UCAD where he taught before moving to UGB in 2016. He published Subversion du roman et poétique du nouveau roman (2018) with Editions Universitaires Européennes.