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"Michael Eaton's compelling study of Roman Polanski's 1974 neo-noir situates Chinatown in relation to a history of fictional detectives, from Sophocles to Edgar Allen Poe and Alfred Hitchcock. In an absorbing account of the film's narrative development and visual style, he traces Chinatown's relationship to the pessimism of American cinema (and, by extension, in wider American culture) in the mid-1970s, and the source of the film's narrative and visual impact. In his afterword to this new edition, Eaton considers Chinatown's 1990 sequel The Two Jakes and also the movie's changing fortunes in the years since its release"--…mehr

Produktbeschreibung
"Michael Eaton's compelling study of Roman Polanski's 1974 neo-noir situates Chinatown in relation to a history of fictional detectives, from Sophocles to Edgar Allen Poe and Alfred Hitchcock. In an absorbing account of the film's narrative development and visual style, he traces Chinatown's relationship to the pessimism of American cinema (and, by extension, in wider American culture) in the mid-1970s, and the source of the film's narrative and visual impact. In his afterword to this new edition, Eaton considers Chinatown's 1990 sequel The Two Jakes and also the movie's changing fortunes in the years since its release"--
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Autorenporträt
Michael Eaton is a screenwriter and playwright based in Nottingham, UK. His screen credits include Fellow Traveller, Signs and Wonders, Shoot to Kill and Why Lockerbie?, and he is the author of Our Friends in the North in the BFI TV Classics series. In 1999 Eaton was awarded MBE for services to film in the New Year's Honours List.