This book explores the development of the Chinese animation film industry from the beginning of China's reform process up to the present. It discusses the relationship between the communist state's policies to stimulate "creative industries" and the creation and maintenance of a "national style" by Chinese animators.
This book explores the development of the Chinese animation film industry from the beginning of China's reform process up to the present. It discusses the relationship between the communist state's policies to stimulate "creative industries" and the creation and maintenance of a "national style" by Chinese animators.
Produktdetails
Produktdetails
Routledge Culture, Society, Business in East Asia Series
Weihua Wu is a Professor of Media Studies in the Faculty of Journalism and Communication at the Communication University of China. .
Inhaltsangabe
1. Introduction 2. Catachresisand Metaphor in Theorizing Chinese Animation 3. The State, Animation Spectatorship, and Cultural Dislocation in the Reform Era 4.New Image, Old Discourse: the Post-Meishu Reorientation 5.The Everyday Practice of I-Generation in Cyberspace: Flash Empire and Chinese Shanke 6. Resistance as Hegemony: The Coming Age of Chinese Independent Animation 7. Conclusion
1. Introduction 2. Catachresisand Metaphor in Theorizing Chinese Animation 3. The State, Animation Spectatorship, and Cultural Dislocation in the Reform Era 4.New Image, Old Discourse: the Post-Meishu Reorientation 5.The Everyday Practice of I-Generation in Cyberspace: Flash Empire and Chinese Shanke 6. Resistance as Hegemony: The Coming Age of Chinese Independent Animation 7. Conclusion
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