Chinese Connections: Critical Perspectives on Film, Identity, and Diaspora
103,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
payback
52 °P sammeln
  • Gebundenes Buch

Tan See-Kam is Associate Professor, Department of Communication, University of Macau, Macao SAR, China. His research mainly focuses on gender and Chinese-language cinema and he has published widely in this area. He is co-editor of Hong Kong Film, Hollywood and the New Global Cinema (2007) and also Hong Kong Alternative Cinema Through the Global Lens (forthcoming). Peter X Feng is Associate Professor of English and Women’s Studies at the University of Delaware, where he teaches film history, Asian American Studies and Cultural Studies. He is the author of Identities in Motion: Asian American…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
Tan See-Kam is Associate Professor, Department of Communication, University of Macau, Macao SAR, China. His research mainly focuses on gender and Chinese-language cinema and he has published widely in this area. He is co-editor of Hong Kong Film, Hollywood and the New Global Cinema (2007) and also Hong Kong Alternative Cinema Through the Global Lens (forthcoming). Peter X Feng is Associate Professor of English and Women’s Studies at the University of Delaware, where he teaches film history, Asian American Studies and Cultural Studies. He is the author of Identities in Motion: Asian American Film and Video and editor of Screening Asian Americans. Gina Marchetti teaches at the University of Hong Kong in Comparative Literature and is the author of From Tian’anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997 (Temple) and Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Tan See-Kam is Associate Professor, Department of Communication, University of Macau, Macao SAR, China. His research mainly focuses on gender and Chinese-language cinema and he has published widely in this area. He is co-editor of Hong Kong Film, Hollywood and the New Global Cinema (2007) and also Hong Kong Alternative Cinema Through the Global Lens (forthcoming). Peter X Feng is Associate Professor of English and Women’s Studies at the University of Delaware, where he teaches film history, Asian American Studies and Cultural Studies. He is the author of Identities in Motion: Asian American Film and Video and editor of Screening Asian Americans. Gina Marchetti teaches at the University of Hong Kong in Comparative Literature and is the author of From Tian’anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997 (Temple) and Romance and the “Yellow Peril”: Race, Sex, and Discursive Strategies in Hollywood Fiction.