This volume explores the links between individuals, families, communities and the state in China through ritual and myth.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations Acknowledgements Permissions Chapter 1: INTRODUCTION Chapter 2: WHY 'CULTURE'? WHY 'PRODUCTION'? Chapter 3: HISTORY AND THE RHETORIC OF LEGITIMACY: THE MAZU CULT OF TAIWAN Chapter 4: DIALECTICS OF ALIENATION: INDIVIDUALS AND COLLECTIVITIES IN CHINESE RELIGION Chapter 5: POWER AND TRANSCENDENCE IN THE MAZU PILGRIMAGES OF TAIWAN Chapter 6: 'POWER' AGAINST IDEOLOGY: A CRITIQUE OF FOUCAULTIAN USAGE Chapter 7: WOMEN'S PRODUCTION: GENDER AND EXPLOITATION IN PATRILINEAL MODE hapter 8: FATHERS AND SONS IN A PATRILINEAL MODE OF PRODUCTION OF DESIRE: PRELIMINARY ANALYSIS OF THE STORY OF NEZHA FROM FENGSHEN YANYI Chapter 9: AFTERWORD: 'EXCESS' CHANGE AND THE LIMITS OF ANALYSIS Bibliography Index
List of Illustrations Acknowledgements Permissions Chapter 1: INTRODUCTION Chapter 2: WHY 'CULTURE'? WHY 'PRODUCTION'? Chapter 3: HISTORY AND THE RHETORIC OF LEGITIMACY: THE MAZU CULT OF TAIWAN Chapter 4: DIALECTICS OF ALIENATION: INDIVIDUALS AND COLLECTIVITIES IN CHINESE RELIGION Chapter 5: POWER AND TRANSCENDENCE IN THE MAZU PILGRIMAGES OF TAIWAN Chapter 6: 'POWER' AGAINST IDEOLOGY: A CRITIQUE OF FOUCAULTIAN USAGE Chapter 7: WOMEN'S PRODUCTION: GENDER AND EXPLOITATION IN PATRILINEAL MODE hapter 8: FATHERS AND SONS IN A PATRILINEAL MODE OF PRODUCTION OF DESIRE: PRELIMINARY ANALYSIS OF THE STORY OF NEZHA FROM FENGSHEN YANYI Chapter 9: AFTERWORD: 'EXCESS' CHANGE AND THE LIMITS OF ANALYSIS Bibliography Index
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