Guo Chao

Chinese Traditional Theatre and Male Dan

Social Power, Cultural Change and Gender Relations

• Gebundenes Buch

Produktbeschreibung

This book examines male dan, a male actor who performs female roles in Chinese theatre. This book will be of great interest to students and scholars of East Asian/Chinese studies across the fields of theatre, history, culture, and literature.

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Produktdetails

• Verlag: Jenny Stanford Publishing
• Seitenzahl: 250
• Erscheinungstermin: 31. Januar 2022
• Englisch
• Abmessung: 234mm x 156mm x 16mm
• Gewicht: 553g
• ISBN-13: 9780367505424
• ISBN-10: 0367505428
• Artikelnr.: 62572559

Autorenporträt

Guo Chao is an Assistant Professor of Chinese at Sun Yat-sen University, China. He publishes extensively on Chinese history, culture and society in journals such as Asian Theatre Journal, Asian Studies Review, Journal of Gender Studies and Cambridge Opera Journal.

Inhaltsangabe

1. Introduction: Chinese traditional theatre and male dan 2. Imaginary
romance: The rise of male dan and their connections to the scholar-elite in
the Ming dynasty 3. Commodified intimacy: Male dan, boy courtesans and
well-off patrons in the Qing dynasty 4. At the dawn of a modern nation:
Three keys in male dan 5. Between scholar-intellectuals and theatrical
aficionados: Male dan under siege 6. Reinventing disciplinary femininity:
Technical innovations of male dan 7. Reconstructing femininity through
masculinity: The prohibition of male dan in socialist China 8. The
mythopoeia of homosexuality: Aesthetic representations of male dan in
contemporary culture 9. A millennial predicament: Male dan in a homophobic
country 10. Coda: Male dan and Chinese society in transition

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1. Introduction: Chinese traditional theatre and male dan 2. Imaginary romance: The rise of male dan and their connections to the scholar-elite in the Ming dynasty 3. Commodified intimacy: Male dan, boy courtesans and well-off patrons in the Qing dynasty 4. At the dawn of a modern nation: Three keys in male dan 5. Between scholar-intellectuals and theatrical aficionados: Male dan under siege 6. Reinventing disciplinary femininity: Technical innovations of male dan 7. Reconstructing femininity through masculinity: The prohibition of male dan in socialist China 8. The mythopoeia of homosexuality: Aesthetic representations of male dan in contemporary culture 9. A millennial predicament: Male dan in a homophobic country 10. Coda: Male dan and Chinese society in transition

Rezensionen

Guo Chao's comprehensive study of male dan in traditional Chinese theatre provides fresh insights into Chinese culture and history. The book draws a chronological chart of male dan for around 500 years, examining the differences and/or relations between male dan and homosexuality. His informative analysis allows readers to understand this particular Chinese phenomenon.

Mei Sun, National Central University

Guo Chao offers an engaging and original contribution to the study of the male dan, tracing this prominent but often misunderstood figure from its late imperial heyday to the twenty-first century. Nimbly navigating between sociocultural history, theatre and performance studies, and gender studies, Chinese Traditional Theatre and Male Dan courageously complicates received narratives, whether unsympathetic or celebratory.

Josh Stenberg, The University of Sydney