Micheal Houlahan (Professor of Music Theory and Aural Skills and Ch, Philip Tacka (Professor of Music, Professor of Music, Millersville
Choral Artistry: A Kodály Perspective for Middle School to College-Level Choirs, Volume 1
Micheal Houlahan (Professor of Music Theory and Aural Skills and Ch, Philip Tacka (Professor of Music, Professor of Music, Millersville
Choral Artistry: A Kodály Perspective for Middle School to College-Level Choirs, Volume 1
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Choral Artistry provides a practical and organic approach to teaching middle school to college level choral singing and sight-reading according to the Kodaly Concept of Music Education, grounded in current research from the fields of choral pedagogy, music theory, music perception and cognition.
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Choral Artistry provides a practical and organic approach to teaching middle school to college level choral singing and sight-reading according to the Kodaly Concept of Music Education, grounded in current research from the fields of choral pedagogy, music theory, music perception and cognition.
Produktdetails
- Produktdetails
- Kodaly Today Handbook Series
- Verlag: Oxford University Press Inc
- Seitenzahl: 454
- Erscheinungstermin: 14. Februar 2023
- Englisch
- Abmessung: 222mm x 288mm x 32mm
- Gewicht: 1340g
- ISBN-13: 9780197550489
- ISBN-10: 0197550487
- Artikelnr.: 62308437
- Kodaly Today Handbook Series
- Verlag: Oxford University Press Inc
- Seitenzahl: 454
- Erscheinungstermin: 14. Februar 2023
- Englisch
- Abmessung: 222mm x 288mm x 32mm
- Gewicht: 1340g
- ISBN-13: 9780197550489
- ISBN-10: 0197550487
- Artikelnr.: 62308437
Micheál Houlahan is Professor of Music Theory and Aural Skills and Chair of the Tell School of Music at Millersville University of Pennsylvania. He is also a visiting professor of music at the China Conservatory of Music, Beiijing. Philip Tacka is Professor of Music at Millersville University of Pennsylvania. He is also currently a grant evaluator on the American Fellowship Panel for the American Association of University Women.
* Acknowledgments
* Introduction .
* Chapter 1. Framing a Choral Curriculum Based on the Kodály Approach
* Chapter 2: Getting Started: What to Teach During the First Few Weeks
of a Choral Program
* Chapter 3: Laying the Foundations of Choral Singing Using Folk songs
and Folk Song Arrangements
* Chapter 4. Developing Part-work Skills in the Choral Rehearsal for
Beginner, Intermediate, and Advanced Choirs
* Chapter 5: Sound Ways to Develop Audiation, Reading, and Music Theory
Skills in the Choral Rehearsal
* Chapter 6:Music Theory and Sight Reading Sequence for Level 1 Choirs
* Chapter 7:Music Theory and Sight Reading Sequence for Level 2 Choirs
* Chapter 8 : Music Theory and Sight Reading Sequence for Level 3
Choirs
* Chapter 9: An Organic Approach to Teaching Sight-reading in the
Choral Rehearsal
* Chapter 10: How We Learn Impacts How We Teach: Creating an Effective
Teaching Strategy for Choral Rehearsals
* Chapter 11: Putting It All Together: Choral Strategies and Rehearsal
Plans
* Chapter 12. Evaluation and Assessment in the Choral Rehearsal
* Introduction .
* Chapter 1. Framing a Choral Curriculum Based on the Kodály Approach
* Chapter 2: Getting Started: What to Teach During the First Few Weeks
of a Choral Program
* Chapter 3: Laying the Foundations of Choral Singing Using Folk songs
and Folk Song Arrangements
* Chapter 4. Developing Part-work Skills in the Choral Rehearsal for
Beginner, Intermediate, and Advanced Choirs
* Chapter 5: Sound Ways to Develop Audiation, Reading, and Music Theory
Skills in the Choral Rehearsal
* Chapter 6:Music Theory and Sight Reading Sequence for Level 1 Choirs
* Chapter 7:Music Theory and Sight Reading Sequence for Level 2 Choirs
* Chapter 8 : Music Theory and Sight Reading Sequence for Level 3
Choirs
* Chapter 9: An Organic Approach to Teaching Sight-reading in the
Choral Rehearsal
* Chapter 10: How We Learn Impacts How We Teach: Creating an Effective
Teaching Strategy for Choral Rehearsals
* Chapter 11: Putting It All Together: Choral Strategies and Rehearsal
Plans
* Chapter 12. Evaluation and Assessment in the Choral Rehearsal
* Acknowledgments
* Introduction .
* Chapter 1. Framing a Choral Curriculum Based on the Kodály Approach
* Chapter 2: Getting Started: What to Teach During the First Few Weeks
of a Choral Program
* Chapter 3: Laying the Foundations of Choral Singing Using Folk songs
and Folk Song Arrangements
* Chapter 4. Developing Part-work Skills in the Choral Rehearsal for
Beginner, Intermediate, and Advanced Choirs
* Chapter 5: Sound Ways to Develop Audiation, Reading, and Music Theory
Skills in the Choral Rehearsal
* Chapter 6:Music Theory and Sight Reading Sequence for Level 1 Choirs
* Chapter 7:Music Theory and Sight Reading Sequence for Level 2 Choirs
* Chapter 8 : Music Theory and Sight Reading Sequence for Level 3
Choirs
* Chapter 9: An Organic Approach to Teaching Sight-reading in the
Choral Rehearsal
* Chapter 10: How We Learn Impacts How We Teach: Creating an Effective
Teaching Strategy for Choral Rehearsals
* Chapter 11: Putting It All Together: Choral Strategies and Rehearsal
Plans
* Chapter 12. Evaluation and Assessment in the Choral Rehearsal
* Introduction .
* Chapter 1. Framing a Choral Curriculum Based on the Kodály Approach
* Chapter 2: Getting Started: What to Teach During the First Few Weeks
of a Choral Program
* Chapter 3: Laying the Foundations of Choral Singing Using Folk songs
and Folk Song Arrangements
* Chapter 4. Developing Part-work Skills in the Choral Rehearsal for
Beginner, Intermediate, and Advanced Choirs
* Chapter 5: Sound Ways to Develop Audiation, Reading, and Music Theory
Skills in the Choral Rehearsal
* Chapter 6:Music Theory and Sight Reading Sequence for Level 1 Choirs
* Chapter 7:Music Theory and Sight Reading Sequence for Level 2 Choirs
* Chapter 8 : Music Theory and Sight Reading Sequence for Level 3
Choirs
* Chapter 9: An Organic Approach to Teaching Sight-reading in the
Choral Rehearsal
* Chapter 10: How We Learn Impacts How We Teach: Creating an Effective
Teaching Strategy for Choral Rehearsals
* Chapter 11: Putting It All Together: Choral Strategies and Rehearsal
Plans
* Chapter 12. Evaluation and Assessment in the Choral Rehearsal