This is a detailed discussion of various aspects of historical performance practice, especially as they relate to liturgical styles of the Renaissance. Issues of timbre, tempo, ensemble, ornamentation, and pitch are among those treated at length in this work intended to broaden the understanding of contemporary choral performers and conductors alike.
This is a detailed discussion of various aspects of historical performance practice, especially as they relate to liturgical styles of the Renaissance. Issues of timbre, tempo, ensemble, ornamentation, and pitch are among those treated at length in this work intended to broaden the understanding of contemporary choral performers and conductors alike.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Steven E. Plank is Chair of the Department of Musicology at Oberlin College. He is the author of the chapter "'Wrapped all in Woe': Passion Music in Late Medieval England" in The Broken Body (Groningen, 1998) and The Way to Heavens Doore: An Introduction to Liturgical Process and Musical Style (Scarecrow, 1994). He has also been a contributor to diverse music journals, including Early Music, Musical Times, Music & Letters, and Choir and Organ.
Inhaltsangabe
Part 1 Acknowledgments Chapter 2 1 Introduction Chapter 3 2 "It's on Account of the Sound It Is" Chapter 4 3 The Ensemble Chapter 5 4 What Pitches Shall We Sing? Chapter 6 5 Rhythm, Tempo, and the Conductor's Gesture Chapter 7 6 Articulation, Ornamentation, and Interpretation Chapter 8 7 Putting Things into Practice Chapter 9 8 So What? Part 10 Bibliography Part 11 Index Part 12 About the Author
Part 1 Acknowledgments Chapter 2 1 Introduction Chapter 3 2 "It's on Account of the Sound It Is" Chapter 4 3 The Ensemble Chapter 5 4 What Pitches Shall We Sing? Chapter 6 5 Rhythm, Tempo, and the Conductor's Gesture Chapter 7 6 Articulation, Ornamentation, and Interpretation Chapter 8 7 Putting Things into Practice Chapter 9 8 So What? Part 10 Bibliography Part 11 Index Part 12 About the Author
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