Using over 90 original interviews, as well as his extensive research in a variety of New Orleans' archives, Dr. Kennedy deftly explores the role public school teachers had in the formative years of jazz, as well as the influence they continue to have on the musical life of one of America's foremost musical cities. As jazz and music mentors, these teachers employed creativity, innovation, and dedication in propelling some of the world's finest musicians forward into brilliant careers. Chord Changes on the Chalkboard includes a foreword by jazz legend Ellis Marsalis, Jr., and is a must for jazz…mehr
Using over 90 original interviews, as well as his extensive research in a variety of New Orleans' archives, Dr. Kennedy deftly explores the role public school teachers had in the formative years of jazz, as well as the influence they continue to have on the musical life of one of America's foremost musical cities. As jazz and music mentors, these teachers employed creativity, innovation, and dedication in propelling some of the world's finest musicians forward into brilliant careers. Chord Changes on the Chalkboard includes a foreword by jazz legend Ellis Marsalis, Jr., and is a must for jazz fans and historians, music libraries, and for collections supporting the study of popular culture and African-American history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Al Kennedy worked as a communications coordinator in the public information office of the New Orleans Public Schools for 21 years. During this period, he began a series of interviews with retired teachers, principals, and superintendents. Much of his research has focused on the lives of music teachers who taught in the city's public schools and on the history of public education in New Orleans. Kennedy has conducted additional research through UNO's Ethel and Herman L. Midlo International Center for New Orleans Studies, and he has taught as a member of the part-time history faculty at Dillard University and UNO.
Inhaltsangabe
Chapter 1 Foreword Chapter 2 Acknowledgments Chapter 3 Introduction Chapter 4 Chapter 1. From Teachers to Jazz Mentors: On the Periphery of New Music Chapter 5 Chapter 2. Clyde Kerr Sr.: From Student to Jazz Mentor Chapter 6 Chapter 3. Yvonne Busch: Shaping New Orleans Music Chapter 7 Chapter 4. The New Orleans Center for the Creative Arts: From Jazz Mentors to a Jazz Institution Chapter 8 Chapter 5. The Community Comes into the School: Celebrating the Music Traditions of New Orleans within a Classroom Chapter 9 Chapter 6. Conclusion: The Current Renaissance is No Accident Chapter 10 Appendix 1. Clyde Kerr Sr.: A Link in the Public School Musical Network Chapter 11 Appendix 2. Musical Influences: Yvonne Busch Chapter 12 Appendix 3. Musical Influences: Dr. Bert Braud Chapter 13 Appendix 4. Musical Influences: Ellis Marsalis Jr. Chapter 14 Appendix 5: Musical Influences: Clyde Kerr Jr. Chapter 15 Sources and Bibliography Chapter 16 Index Chapter 17 About the Author
Chapter 1 Foreword Chapter 2 Acknowledgments Chapter 3 Introduction Chapter 4 Chapter 1. From Teachers to Jazz Mentors: On the Periphery of New Music Chapter 5 Chapter 2. Clyde Kerr Sr.: From Student to Jazz Mentor Chapter 6 Chapter 3. Yvonne Busch: Shaping New Orleans Music Chapter 7 Chapter 4. The New Orleans Center for the Creative Arts: From Jazz Mentors to a Jazz Institution Chapter 8 Chapter 5. The Community Comes into the School: Celebrating the Music Traditions of New Orleans within a Classroom Chapter 9 Chapter 6. Conclusion: The Current Renaissance is No Accident Chapter 10 Appendix 1. Clyde Kerr Sr.: A Link in the Public School Musical Network Chapter 11 Appendix 2. Musical Influences: Yvonne Busch Chapter 12 Appendix 3. Musical Influences: Dr. Bert Braud Chapter 13 Appendix 4. Musical Influences: Ellis Marsalis Jr. Chapter 14 Appendix 5: Musical Influences: Clyde Kerr Jr. Chapter 15 Sources and Bibliography Chapter 16 Index Chapter 17 About the Author
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