In Choreographing Agonism, author Goran Petrovic Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrovic Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics.
Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as 'agonistic choreo-political practice,' a powerful strategy for mobilising alternative ways of living together and invigorating democracy.
Choreographing Agonism makes a boldand innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies.
Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as 'agonistic choreo-political practice,' a powerful strategy for mobilising alternative ways of living together and invigorating democracy.
Choreographing Agonism makes a boldand innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies.
"Choreographing Agonism is a unique and timely addition to the intersecting fields of politico-philosophical thought and performance studies, offering new interdisciplinary connections between structures of thought underscored by a passionate political impulse." (Tom Drayton, European Journal of Theatre and Performance, Issue 4, June, 2022)