Anthea Kraut is Associate Professor in the Department of Dance at University of California, Riverside, where she teaches courses in critical dance studies. Her first book, Choreographing the Folk: The Dance Stagings of Zora Neale Hurston, was published by the University of Minnesota Press in 2008 and received a Special Citation from the Society of Dance History Scholars' de la Torre Bueno Prize® for distinguished book of dance scholarship.
Inhaltsangabe
* Acknowledgments * Preface * Introduction: Dance Plus Copyright * Chapter One: White Womanhood and Early Campaigns for Choreographic Copyright * Chapter Two: The Black Body as Object and Subject of Property * Chapter Three: "Stealing Steps" and Signature Moves: Alternative Systems of Copyright * Chapter Four: "High-brow Meets Low-Down": Copyright on Broadway * Chapter Five: Copyright and the Death/Life of the Choreographer * Coda: Beyoncé v. De Keersmaeker * Appendix: A Timeline of Intellectual Property Rights and Dance in the United States * Select Bibliography * Index
* Acknowledgments * Preface * Introduction: Dance Plus Copyright * Chapter One: White Womanhood and Early Campaigns for Choreographic Copyright * Chapter Two: The Black Body as Object and Subject of Property * Chapter Three: "Stealing Steps" and Signature Moves: Alternative Systems of Copyright * Chapter Four: "High-brow Meets Low-Down": Copyright on Broadway * Chapter Five: Copyright and the Death/Life of the Choreographer * Coda: Beyoncé v. De Keersmaeker * Appendix: A Timeline of Intellectual Property Rights and Dance in the United States * Select Bibliography * Index
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