Choreographing Copyright provides a historical and cultural analysis of U.S.-based dance-makers' investment in intellectual property rights.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anthea Kraut is Associate Professor in the Department of Dance at University of California, Riverside, where she teaches courses in critical dance studies. Her first book, Choreographing the Folk: The Dance Stagings of Zora Neale Hurston, was published by the University of Minnesota Press in 2008 and received a Special Citation from the Society of Dance History Scholars' de la Torre Bueno Prize® for distinguished book of dance scholarship.
Inhaltsangabe
* Acknowledgments * Preface * Introduction: Dance Plus Copyright * Chapter One: White Womanhood and Early Campaigns for Choreographic Copyright * Chapter Two: The Black Body as Object and Subject of Property * Chapter Three: "Stealing Steps" and Signature Moves: Alternative Systems of Copyright * Chapter Four: "High-brow Meets Low-Down": Copyright on Broadway * Chapter Five: Copyright and the Death/Life of the Choreographer * Coda: Beyoncé v. De Keersmaeker * Appendix: A Timeline of Intellectual Property Rights and Dance in the United States * Select Bibliography * Index
* Acknowledgments * Preface * Introduction: Dance Plus Copyright * Chapter One: White Womanhood and Early Campaigns for Choreographic Copyright * Chapter Two: The Black Body as Object and Subject of Property * Chapter Three: "Stealing Steps" and Signature Moves: Alternative Systems of Copyright * Chapter Four: "High-brow Meets Low-Down": Copyright on Broadway * Chapter Five: Copyright and the Death/Life of the Choreographer * Coda: Beyoncé v. De Keersmaeker * Appendix: A Timeline of Intellectual Property Rights and Dance in the United States * Select Bibliography * Index
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