Using Chow's transnational and trans-regional star persona as a case study, Lin Feng investigates stardom as an agent for mediating the sociocultural construction of Hong Kong and Chinese identities.
Using Chow's transnational and trans-regional star persona as a case study, Lin Feng investigates stardom as an agent for mediating the sociocultural construction of Hong Kong and Chinese identities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lin Feng is Lecturer in Film Studies at the University of Leicester.
Inhaltsangabe
Introduction Part I From a Hong Kong Citizen to a Cosmopolitan Resident: A Face of Social Mobility in Hong Kong between 1973 and 1995 1: The Birth of a TV Star: A Modern Hong Kong Xiaosheng 2: From a TV Star to a Film Actor: Star Performance in Hong Kong Cinema 3: Star Endorsement and Hong Kong Cinema: The Social Mobility of Chow Yun-fat 4: 'Come Laugh with Me': the Construction of Cosmopolitan Residentship in Chow Yun-fat's Comedies Part II From an Expatriate Hong Kong Star to a Returning HKSAR Star: A Chinese Icon in the Transnational Cinema from 1995 Onwards 5: The Birth of a Hollywood Star: an Asian Hero in America 6: A Middle-aged Man in the Transnational Martial Arts Cinema: Aging Star and the Myth of Midlife Angst 7: Glocalising Chinese Stardom: Internet Publicity and the Negotiation of Transnational Stardom 8: Endowing the Fatherhood: The Power Game beyond Chinese Cinema Conclusion Filmography Glossary Bibliography Appendix I: Chow Yun-fat's Filmography Appendix II: Chow Yun-fat's TV Works
Introduction Part I From a Hong Kong Citizen to a Cosmopolitan Resident: A Face of Social Mobility in Hong Kong between 1973 and 1995 1: The Birth of a TV Star: A Modern Hong Kong Xiaosheng 2: From a TV Star to a Film Actor: Star Performance in Hong Kong Cinema 3: Star Endorsement and Hong Kong Cinema: The Social Mobility of Chow Yun-fat 4: 'Come Laugh with Me': the Construction of Cosmopolitan Residentship in Chow Yun-fat's Comedies Part II From an Expatriate Hong Kong Star to a Returning HKSAR Star: A Chinese Icon in the Transnational Cinema from 1995 Onwards 5: The Birth of a Hollywood Star: an Asian Hero in America 6: A Middle-aged Man in the Transnational Martial Arts Cinema: Aging Star and the Myth of Midlife Angst 7: Glocalising Chinese Stardom: Internet Publicity and the Negotiation of Transnational Stardom 8: Endowing the Fatherhood: The Power Game beyond Chinese Cinema Conclusion Filmography Glossary Bibliography Appendix I: Chow Yun-fat's Filmography Appendix II: Chow Yun-fat's TV Works
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