This edited volume explores the richness and diversity of Christian musical traditions in the Americas. The essays present a cross-section of current scholarship on Christian sacred music and the approaches to studying them in context.
This edited volume explores the richness and diversity of Christian musical traditions in the Americas. The essays present a cross-section of current scholarship on Christian sacred music and the approaches to studying them in context.
Andrew Shenton is professor of music at Boston University. His research areas include music and transcendence, humor and religion, performance practice, and theology and the arts. Joanna Smolko is an instructor at the University of Georgia. Her research areas include American popular music from the nineteenth and twentieth centuries, American sacred music, American folk music, and film music.
Inhaltsangabe
Introduction: Exploring Christian Sacred Music in the Americas Andrew Shenton and Joanna Smolko I. Liturgical Music 1. Liberation Theology: Affirmation and Homage in Three Brazilian Popular Masses Cathy Ann Elias 2. The Guatemalan Choirbooks: Facilitating Preservation, Performance, and Study of the Colonial Repertoire Martha Thomae II. Hymnology 3. Sweet Harmonies of Praise: Reviving Shape Note Singing in Rural Arkansas Andrew Granade 4. Hymns of Joyful Praise: Sacred Harp Singing in Athens, Georgia Joanna Smolko 5. The Hymn Tunes of Thomas Hastings David W. Music III. Contemporary Worship 6. 'Evangélico e Brasileiro': Brazil's Alternative Christian Music Scene Marcell Silva Steuernagel 7. Ethics, Justice, and Politics in Contemporary Worship Music Jeff R. Warren IV. Paraliturgical Music 8. 'Resignation' and Virgil Thomson's Hymns from the Old South Zen Kuriyama 9. "Rock of Ages: Images of Jesus in Popular Music." Delvyn Case V. Diasporic Music 10. The Folk Scholarship Roots and Geopolitical Boundaries of Sacred Harp's Global 21st Century Jesse Karlsberg 11. Anglican Diaspora: Episcopal Church Music in the Twenty First Century Matthew Hoch VI. Indigenous and African American Music 12. 'Woman, Arise and Speak': Envisioning the Study of Indigenous Christian Song in Brazil Andrew Janzen and Meiry Yakawa 13. From the Sun to the Son: How Christian Missionaries used Music to Evangelize the Choctaw People Emma Wimberg 14. Lift Every Voice and Sing: Embodying Black Theology in Song Stephen Michael Newby and Chelle Stearns Epilogue: Singing Worlds in the Americas Michael O'Connor
Introduction: Exploring Christian Sacred Music in the Americas Andrew Shenton and Joanna Smolko I. Liturgical Music 1. Liberation Theology: Affirmation and Homage in Three Brazilian Popular Masses Cathy Ann Elias 2. The Guatemalan Choirbooks: Facilitating Preservation, Performance, and Study of the Colonial Repertoire Martha Thomae II. Hymnology 3. Sweet Harmonies of Praise: Reviving Shape Note Singing in Rural Arkansas Andrew Granade 4. Hymns of Joyful Praise: Sacred Harp Singing in Athens, Georgia Joanna Smolko 5. The Hymn Tunes of Thomas Hastings David W. Music III. Contemporary Worship 6. 'Evangélico e Brasileiro': Brazil's Alternative Christian Music Scene Marcell Silva Steuernagel 7. Ethics, Justice, and Politics in Contemporary Worship Music Jeff R. Warren IV. Paraliturgical Music 8. 'Resignation' and Virgil Thomson's Hymns from the Old South Zen Kuriyama 9. "Rock of Ages: Images of Jesus in Popular Music." Delvyn Case V. Diasporic Music 10. The Folk Scholarship Roots and Geopolitical Boundaries of Sacred Harp's Global 21st Century Jesse Karlsberg 11. Anglican Diaspora: Episcopal Church Music in the Twenty First Century Matthew Hoch VI. Indigenous and African American Music 12. 'Woman, Arise and Speak': Envisioning the Study of Indigenous Christian Song in Brazil Andrew Janzen and Meiry Yakawa 13. From the Sun to the Son: How Christian Missionaries used Music to Evangelize the Choctaw People Emma Wimberg 14. Lift Every Voice and Sing: Embodying Black Theology in Song Stephen Michael Newby and Chelle Stearns Epilogue: Singing Worlds in the Americas Michael O'Connor
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