This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. In the opening chapter, Cole reviews the unusually intriguing historical record of Marlowe's life outside the theatre. The body of the book addresses Marlowe's individual plays as experiments in extending and redefining the traditional concepts and techniques of tragic drama, and suggests how his contemporaries and followers made use of his innovations. Intended as an introduction to the subject, this book provides an insightful approach to Marlowe's work and the study of Elizabethan thought and theatre.…mehr
This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. In the opening chapter, Cole reviews the unusually intriguing historical record of Marlowe's life outside the theatre. The body of the book addresses Marlowe's individual plays as experiments in extending and redefining the traditional concepts and techniques of tragic drama, and suggests how his contemporaries and followers made use of his innovations. Intended as an introduction to the subject, this book provides an insightful approach to Marlowe's work and the study of Elizabethan thought and theatre.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Douglas Cole has published six poetry collections and the novel The White Field, winner of the American Fiction Award. His work has appeared in journals such as Beloit Poetry, Fiction International, Valpariaso, The Gallway Review and Two Hawks Quarterly; as well anthologies such as Bully Anthology (Hopewell), Bindweed Anthology, and Work (Unleash Press). He contributes a regular column, "Trading Fours," to the magazine, Jerry Jazz Musician; edits the selections of American writers for Blue Citadel, part of Read Carpet journal of international writing produced in Columbia. In addition to the American Fiction Award, his screenplay of The White Field won Best Unproduced Screenplay award in the Elegant Film Festival, and he has been awarded the Leslie Hunt Memorial prize in poetry, the Best of Poetry Award from Clapboard House, First Prize in the "Picture Worth 500 Words" from Tattoo Highway, and the Editors' Choice Award in fiction by RiverSedge. He has been nominated five times for a Pushcart and seven times for Best of the Net. He lives and teaches in Seattle, Washington. His website is https://douglastcole.com/.
Inhaltsangabe
Series Foreword by Josh Beer, Christopher Innes, and Simon Williams Prologue Chronology Matters of Life and Death The World of the Theatre in the Reign of Elizabeth Dido, Queen of Carthage: Tragedy in the Classical Tradition Tamburlaine the Great: Tragical Discourse and Spectacle Machiavellian Tragedy: The Massacre at Paris and The Jew of Malta Edward II: Tragedy in the De Casibus Tradition Doctor Faustus: Tragedy in the Allegorical Tradition Marlowe's Legacy to Tragedy Appendix A: Thomas Kyd's Accusations of Marlowe Appendix B: Richard Baines' Note Works Cited Index
Series Foreword by Josh Beer, Christopher Innes, and Simon Williams Prologue Chronology Matters of Life and Death The World of the Theatre in the Reign of Elizabeth Dido, Queen of Carthage: Tragedy in the Classical Tradition Tamburlaine the Great: Tragical Discourse and Spectacle Machiavellian Tragedy: The Massacre at Paris and The Jew of Malta Edward II: Tragedy in the De Casibus Tradition Doctor Faustus: Tragedy in the Allegorical Tradition Marlowe's Legacy to Tragedy Appendix A: Thomas Kyd's Accusations of Marlowe Appendix B: Richard Baines' Note Works Cited Index
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