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Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television.

Produktbeschreibung
Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television.
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Autorenporträt
Yuriko Furuhata is Assistant Professor in the Department of East Asian Studies and the World Cinemas Program at McGill University.