Everyone knows about the Battle of Waterloo or do they?This book presents the battle as never before: through the personal stories of over 150 people present at the battle or its immediate aftermath. A reference book, a biographical dictionary, and a myth-busting expose, Who was Who at Waterloo is an indispensable guide to historys most famous battle.Arranged in alphabetical order, and with entries highlighted throughout the text like links in a website, the book boasts a colourful cast of soldiers, politicians, peasants, surgeons, artists, novelists, poets, scientists, entrepreneurs, and…mehr
Everyone knows about the Battle of Waterloo or do they?This book presents the battle as never before: through the personal stories of over 150 people present at the battle or its immediate aftermath. A reference book, a biographical dictionary, and a myth-busting expose, Who was Who at Waterloo is an indispensable guide to historys most famous battle.Arranged in alphabetical order, and with entries highlighted throughout the text like links in a website, the book boasts a colourful cast of soldiers, politicians, peasants, surgeons, artists, novelists, poets, scientists, entrepreneurs, and more. It provides many sorties into nineteenth century culture, politics, medicine and science. It also provides a thorough look at the sources, identifying myths, irregularities and cover-ups. The book demonstrates how little we can really know about Waterloo. And yet it also demonstrates just how much can be said about the battles participants.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kurt Lancaster earned his PhD from New York University and has shot documentaries that have screened nationally and internationally. He is the author of DSLR Cinema and has consulted for the Pulitzer Prize winning newspaper, The Christian Science Monitor, training their print journalists in video journalism, and he has shot and edited documentary journalism pieces. He is an associate professor of digital filmmaking in the School of Communication at Northern Arizona University, where he teaches courses on documentary and multimedia journalism.
Inhaltsangabe
Part I: Getting the Raw Deal 1. Introduction: What Camera to Choose? What Story To Tell?-DSLRs, RED, Sony, and the Promise of Cinema Raw With the Next Generation of Low Budget Cinema Cameras 2. Creating a New Paradigm: Behind the Scenes in Creating Low Budget Cinema Cameras 3. Is There Really a Difference When Shooting Raw? A Case Study in Shooting Compressed versus Shooting Raw 4. Film Gear for Raw Filmmakers: A Low-Budget List Part II: Raw Production Case Studies [drawn from on-set observations and/or interviews of the filmmakers from existing films] 1. On-camera Features and Menu Selections of Raw Cinema Cameras 2. One Small Step: Shooting with the Digital Bolex D16 3. Shooting with Blackmagic's Digital Cinema Camera 4. Shooting with Ikonoskop's A-Cam dII 5. Shooting with Weisscam's T-CAM Part III Raw Postproduction 6. Postproduction Workflow-Getting the Footage onto the Computer and Editing with raw 7. Color Correcting and Color Grading with Raw Conclusion-The Future of Low Budget Digital Filmmaking
Part I: Getting the Raw Deal 1. Introduction: What Camera to Choose? What Story To Tell?-DSLRs, RED, Sony, and the Promise of Cinema Raw With the Next Generation of Low Budget Cinema Cameras 2. Creating a New Paradigm: Behind the Scenes in Creating Low Budget Cinema Cameras 3. Is There Really a Difference When Shooting Raw? A Case Study in Shooting Compressed versus Shooting Raw 4. Film Gear for Raw Filmmakers: A Low-Budget List Part II: Raw Production Case Studies [drawn from on-set observations and/or interviews of the filmmakers from existing films] 1. On-camera Features and Menu Selections of Raw Cinema Cameras 2. One Small Step: Shooting with the Digital Bolex D16 3. Shooting with Blackmagic's Digital Cinema Camera 4. Shooting with Ikonoskop's A-Cam dII 5. Shooting with Weisscam's T-CAM Part III Raw Postproduction 6. Postproduction Workflow-Getting the Footage onto the Computer and Editing with raw 7. Color Correcting and Color Grading with Raw Conclusion-The Future of Low Budget Digital Filmmaking
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