Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Cinema Under National Reconstruction redefines censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Cinema Under National Reconstruction redefines censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
HYE SEUNG CHUNG is the co-author of Movie Minorities: Transnational Rights Advocacy and South Korean Cinema (Rutgers University Press, 2021) and Movie Migrations: Transnational Genre Flows and South Korean Cinema (Rutgers University Press, 2015), and the author of Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations (Rutgers University Press, 2020), Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance, and Kim Ki-duk.
Inhaltsangabe
NOTE ON TEXT CHRONOLOGY A LIST OF AGENCIES AND ACRONYMS INTRODUCTION: Archival Revisionism and New Korean Film Historiography CHAPTER 1: Fending off Darkness, Uplifting National Cinema: Korean Film Censorship and The Stray Bullet CHAPTER 2: From Blackboard Jungle to The Teahouse of the August Moon: Censoring Hollywood in Postcolonial Korea CHAPTER 3: Myths of Martyrs and Heroes in a Godless Land: Interagency Regulation of 1960s Anticommunist Films CHAPTER 4: Cinematic Censorship as Sentimental Education: Indoctrinating Gaiety as National Emotion in Yushin-Era Youth Comedies CHAPTER 5: Censors as Audiences and Vice Versa: Sex, Politics, and Labor in 1981 CHAPTER 6: Beyond Oral Histories and Trade Legends: A Bourdieusian-Foucauldian Deconstruction of Anti-Censorship Myths EPILOGUE: Media Ratings, the End of Censorship? ACKNOWLEDGMENTS INDEX
NOTE ON TEXT CHRONOLOGY A LIST OF AGENCIES AND ACRONYMS INTRODUCTION: Archival Revisionism and New Korean Film Historiography CHAPTER 1: Fending off Darkness, Uplifting National Cinema: Korean Film Censorship and The Stray Bullet CHAPTER 2: From Blackboard Jungle to The Teahouse of the August Moon: Censoring Hollywood in Postcolonial Korea CHAPTER 3: Myths of Martyrs and Heroes in a Godless Land: Interagency Regulation of 1960s Anticommunist Films CHAPTER 4: Cinematic Censorship as Sentimental Education: Indoctrinating Gaiety as National Emotion in Yushin-Era Youth Comedies CHAPTER 5: Censors as Audiences and Vice Versa: Sex, Politics, and Labor in 1981 CHAPTER 6: Beyond Oral Histories and Trade Legends: A Bourdieusian-Foucauldian Deconstruction of Anti-Censorship Myths EPILOGUE: Media Ratings, the End of Censorship? ACKNOWLEDGMENTS INDEX
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