Cinema Under National Reconstruction - Chung, Hye Seung
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Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Cinema Under National Reconstruction redefines censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.

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Produktbeschreibung
Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Cinema Under National Reconstruction redefines censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
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Autorenporträt
HYE SEUNG CHUNG is the co-author of Movie Minorities: Transnational Rights Advocacy and South Korean Cinema (Rutgers University Press, 2021) and Movie Migrations: Transnational Genre Flows and South Korean Cinema  (Rutgers University Press, 2015), and the author of Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations (Rutgers University Press, 2020),  Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance, and Kim Ki-duk.