Cinemas in Transition in Central and Eastern Europe After 1989
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Catherine Portuges is Director of the Interdepartmental Program in Film Studies, Professor of Comparative Literature, and Curator of the Massachusetts Multicultural Film Festival at the University of Massachusetts Amherst.¿ She is the author of Screen Memories: The Hungarian Cinema of Márta Mészáros. Peter Hames is Visiting Professor in Film Studies in the Faculty of Arts and Creative Technology at Staffordshire University and a program adviser to the London Film Festival. He is the author of Czech and Slovak Cinema: Theme and Tradition and The Czechoslovak New Wave and editor of The Cinema of…mehr

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Produktbeschreibung
Catherine Portuges is Director of the Interdepartmental Program in Film Studies, Professor of Comparative Literature, and Curator of the Massachusetts Multicultural Film Festival at the University of Massachusetts Amherst.¿ She is the author of Screen Memories: The Hungarian Cinema of Márta Mészáros. Peter Hames is Visiting Professor in Film Studies in the Faculty of Arts and Creative Technology at Staffordshire University and a program adviser to the London Film Festival. He is the author of Czech and Slovak Cinema: Theme and Tradition and The Czechoslovak New Wave and editor of The Cinema of Central Europe and The Cinema of Jan Švankmajer: Dark Alchemy.
Autorenporträt
Catherine Portuges is Director of the Interdepartmental Program in Film Studies, Professor of Comparative Literature, and Curator of the Massachusetts Multicultural Film Festival at the University of Massachusetts Amherst.  She is the author of Screen Memories: The Hungarian Cinema of Márta Mészáros. Peter Hames is Visiting Professor in Film Studies in the Faculty of Arts and Creative Technology at Staffordshire University and a program adviser to the London Film Festival. He is the author of Czech and Slovak Cinema: Theme and Tradition and The Czechoslovak New Wave and editor of The Cinema of Central Europe and The Cinema of Jan Švankmajer: Dark Alchemy.