Cinemasaurus examines ninety recent films over three decades, focusing on four issues of Russiäs transition: (1) its imperial legacy, (2) the film market and new genres, (3) the dialogue with European values and hierarchies, (4) its renegotiation with state power. Its contributors include the next generation of US-Russian cinema scholars.
Cinemasaurus examines ninety recent films over three decades, focusing on four issues of Russiäs transition: (1) its imperial legacy, (2) the film market and new genres, (3) the dialogue with European values and hierarchies, (4) its renegotiation with state power. Its contributors include the next generation of US-Russian cinema scholars.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nancy Condee is Director of University of Pittsburgh¿s Russian, East European, and Eurasian Studies Center, a Title VI Center. Alexander Prokhorov teaches at Russian and Film Studies Programs at the College of William & Mary. Elena Prokhorova teaches at Russian and Film Studies Programs at the College of William & Mary.
Inhaltsangabe
Table of Contents List of Illustrations Foreword Stephen M. Norris Acknowledgments Note on Transliteration and Translations Cinemasaurus: Introduction Nancy Condee, Alexander Prokhorov, and Elena Prokhorova Part One. Borders of Imperial Desire Framing Essay Nancy Condee 1. Imperial Fatigue: Somnambulants, Ghosts, and Monsters Olga Kim 2. Empire Reloaded: Sacred Power in a Postmodern Era Justin Wilmes 3. Russiäs Quiet Other: Dmitrii Mamuliiäs Another Sky and Aleksandr Kott¿s The Test Ellina Sattarova Part Two. Hilarity and Horror Framing Essay Alexander Prokhorov and Elena Prokhorova 4. Laughing Apocalypse: Horror and/as Comedy Daria Ezerova 5. Eccentricity, Theatricality, and the Grotesque Robert Crane 6. Privatized Violence in the New Russian Cinema Denis Saltykov Part Three. Evropsk or Russia? Framing Essay Seth Graham 7. Fragments of Empire: The Heartland in Post-Soviet Film Zhanna Budenkova 8. Russia on the Margins? Tetyana Shlikhar 8. Contending Alterities: Drag Show, Roma Camp . . . Trevor Wilson Part Four. The Ideological Occult Framing Essay Petre Petrov 9. Past, Present, and Posthumous Fathers: Cinepaternity Reloaded Theodora Trimble 10. New Auteurism: The Case of Mikhalkov and Bekmambetov Olga Mukhortova 11. Elki: The Most Profitable Franchise of the Putin Era Beach Gray Part Five. Interviews 12. The Mediascape: Alexander Rodnyansky (CEO, AR Films, Non-Stop Production) 13. The Festival: Sitora Alieva (Program Director, Kinotavr) 14. The Exhibition Space: Paul Heth (CEO, Rising Star Media; Karo Film Holding) 15. The Film Journal: Birgit Beumers (KinoKultura, UK) 16. The Film Symposium: Vladimir Padunov (Russian Film Symposium, US) Kino-Grafik Notes on the Contributors Works Cited Index
Table of Contents List of Illustrations Foreword Stephen M. Norris Acknowledgments Note on Transliteration and Translations Cinemasaurus: Introduction Nancy Condee, Alexander Prokhorov, and Elena Prokhorova Part One. Borders of Imperial Desire Framing Essay Nancy Condee 1. Imperial Fatigue: Somnambulants, Ghosts, and Monsters Olga Kim 2. Empire Reloaded: Sacred Power in a Postmodern Era Justin Wilmes 3. Russiäs Quiet Other: Dmitrii Mamuliiäs Another Sky and Aleksandr Kott¿s The Test Ellina Sattarova Part Two. Hilarity and Horror Framing Essay Alexander Prokhorov and Elena Prokhorova 4. Laughing Apocalypse: Horror and/as Comedy Daria Ezerova 5. Eccentricity, Theatricality, and the Grotesque Robert Crane 6. Privatized Violence in the New Russian Cinema Denis Saltykov Part Three. Evropsk or Russia? Framing Essay Seth Graham 7. Fragments of Empire: The Heartland in Post-Soviet Film Zhanna Budenkova 8. Russia on the Margins? Tetyana Shlikhar 8. Contending Alterities: Drag Show, Roma Camp . . . Trevor Wilson Part Four. The Ideological Occult Framing Essay Petre Petrov 9. Past, Present, and Posthumous Fathers: Cinepaternity Reloaded Theodora Trimble 10. New Auteurism: The Case of Mikhalkov and Bekmambetov Olga Mukhortova 11. Elki: The Most Profitable Franchise of the Putin Era Beach Gray Part Five. Interviews 12. The Mediascape: Alexander Rodnyansky (CEO, AR Films, Non-Stop Production) 13. The Festival: Sitora Alieva (Program Director, Kinotavr) 14. The Exhibition Space: Paul Heth (CEO, Rising Star Media; Karo Film Holding) 15. The Film Journal: Birgit Beumers (KinoKultura, UK) 16. The Film Symposium: Vladimir Padunov (Russian Film Symposium, US) Kino-Grafik Notes on the Contributors Works Cited Index
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