Jie Li is professor of East Asian languages and civilizations at Harvard University. Her books include Shanghai Homes: Palimpsests of Private Life (Columbia, 2014), Red Legacies in China: Cultural Afterlives of the Communist Revolution (2016), and Utopian Ruins: A Memorial Museum of the Mao Era (2020).
Inhaltsangabe
Acknowledgments Introduction: Revolutionary Spirit Mediumship Part I: Projectionists as Media Infrastructure 1. Cinematic Nation-Building: Media Networks and Spiritual Battlegrounds 2. Mobile Projectionists and the Things They Carried 3. The Three Sisters Movie Team: Projecting Models, Model Projectionists, and Female Projectionists 4. The Cost of Spiritual Food: A Ritual Economy of Rural Cinema Part II: Audiences as Creative Agents 5. The Hot Noise of Open-Air Cinema 6. Guerrilla Cinema and Guerrilla Reception 7. Transcultural Guerrillas: The Reception of Foreign Films in Socialist China 8. Poisonous Weeds and Censorship as Exorcism Epilogue Appendix: Interviews Notes Index
Acknowledgments Introduction: Revolutionary Spirit Mediumship Part I: Projectionists as Media Infrastructure 1. Cinematic Nation-Building: Media Networks and Spiritual Battlegrounds 2. Mobile Projectionists and the Things They Carried 3. The Three Sisters Movie Team: Projecting Models, Model Projectionists, and Female Projectionists 4. The Cost of Spiritual Food: A Ritual Economy of Rural Cinema Part II: Audiences as Creative Agents 5. The Hot Noise of Open-Air Cinema 6. Guerrilla Cinema and Guerrilla Reception 7. Transcultural Guerrillas: The Reception of Foreign Films in Socialist China 8. Poisonous Weeds and Censorship as Exorcism Epilogue Appendix: Interviews Notes Index
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