Ian Aitken links the issue of cinematic realism to important questions concerning human experience, analysing the close similarity between the film image and visual perception, and how different theories of realism have sought to uncover the way film's relation to reality can be understood.
Ian Aitken links the issue of cinematic realism to important questions concerning human experience, analysing the close similarity between the film image and visual perception, and how different theories of realism have sought to uncover the way film's relation to reality can be understood.
Ian Aitken is Professor of Film Studies at the School of Communication, Hong Kong Baptist University. His publications include Hong Kong Documentary Film (2014), Lukácsian Film Theory and Cinema: An Analysis of Georg Lukács' Writings on Film 1913-1971 (2012), The Major Realist Film Theorists, (2016), Colonial Documentary Film in South and South-East Asian (2016) and Cinematic Realism (2020).
Inhaltsangabe
Introduction: Representation perception and cinematic realism Chapter 1: Bergson the image and time Chapter 2: Introduction to Lukács; essence phenomena and temporality Chapter 3: 'On the Phenomenology of the Creative Process' (Lukács 1914) Chapter 4: 'Thoughts towards an Aesthetic of the Cinema' (Lukács 1913) Chapter 5: The Specificity of the Aesthetic (Lukács 1963) Chapter 6: Husserl epoche and Lebenswelt Chapter 7: Introduction to Kracauer; abstraction redemption and modernity Chapter 8: 'Photography' (Kracauer 1927) Chapter 9: 'Introduction: Photography' and 'Basic Concepts' from Theory of Film (Kracauer 1960) Chapter 10: 'The Historical Approach' and 'The Historian's Journey' from History: The Last Things Before the Last (Kracauer 1968) Bibliography Index
Introduction: Representation perception and cinematic realism Chapter 1: Bergson the image and time Chapter 2: Introduction to Lukács; essence phenomena and temporality Chapter 3: 'On the Phenomenology of the Creative Process' (Lukács 1914) Chapter 4: 'Thoughts towards an Aesthetic of the Cinema' (Lukács 1913) Chapter 5: The Specificity of the Aesthetic (Lukács 1963) Chapter 6: Husserl epoche and Lebenswelt Chapter 7: Introduction to Kracauer; abstraction redemption and modernity Chapter 8: 'Photography' (Kracauer 1927) Chapter 9: 'Introduction: Photography' and 'Basic Concepts' from Theory of Film (Kracauer 1960) Chapter 10: 'The Historical Approach' and 'The Historian's Journey' from History: The Last Things Before the Last (Kracauer 1968) Bibliography Index
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