Paul Matthew St. Pierre

Cinematography in the Weimar Republic

Lola Lola, Dirty Singles, and the Men Who Shot Them

• Gebundenes Buch

Produktbeschreibung

Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary.

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Produktdetails

• The Fairleigh Dickinson University Press Series in Communication Studies
• Verlag: Fairleigh Dickinson University Press
• Seitenzahl: 288
• Erscheinungstermin: 15. August 2016
• Englisch
• Abmessung: 235mm x 157mm x 22mm
• Gewicht: 622g
• ISBN-13: 9781611479447
• ISBN-10: 1611479444
• Artikelnr.: 45007656

Autorenporträt

Paul Matthew St. Pierre is professor of English at Simon Fraser University, Vancouver.

Inhaltsangabe

List of Illustrations Acknowledgments 1 The Weimar Revolution and German
Collaborative Filmmaking 2 The Optical Convergence of Theodor Sparkuhl and
Ernst Lubitsch 3 Karl Freund's Signature Visual Designs in Manifold
Collaborations 4 Carl Hoffmann and the New Visual Discourse of German
Silent Film 5 Fritz Arno Wagner, with F. W. Murnau, Fritz Lang, and Arthur
Robison 6 Fritz Arno Wagner, G. W. Pabst, and the Weimar Zeitgeist 7
Günther Rittau, Günther Krampf, Optical Language, and Autonomous
Collaborative Agency 8 Guido Seeber's Promotion from Special Effects
Technician to Cinematographic Artist 9 Rudolph Maté, Carl Theodor Dreyer,
and the Framing Principle of Cinematography 10 Cinematographers as
Directors as Cinematographers and the Rebirth of Civilization Filmography
Works Cited Index About the Author