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This book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown.
This book covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- 4 ed
- Seitenzahl: 510
- Erscheinungstermin: 28. September 2021
- Englisch
- Abmessung: 266mm x 193mm x 30mm
- Gewicht: 1610g
- ISBN-13: 9780367373450
- ISBN-10: 0367373459
- Artikelnr.: 62152480
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Taylor & Francis Ltd
- 4 ed
- Seitenzahl: 510
- Erscheinungstermin: 28. September 2021
- Englisch
- Abmessung: 266mm x 193mm x 30mm
- Gewicht: 1610g
- ISBN-13: 9780367373450
- ISBN-10: 0367373459
- Artikelnr.: 62152480
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Blain Brown has been in the film business for over 30 years, working as a director of photography, director, screenwriter, producer, and editor. Before becoming a DP/Director, he worked as a lighting technician, gaffer, and grip. He has written, directed, and photographed feature films, commercials, music videos, and corporate videos. He has taught at several film schools in the Los Angeles area, including Columbia College, UCLA, Los Angeles Film School, and AFI. He studied architecture and planning at MIT, and the Harvard Graduate School of Design. His other books include The Basics of Filmmaking: Screenwriting, Producing, Directing, Cinematography, Audio, & Editing, Motion Picture and Video Lighting (3rd edition), and The Filmmaker's Guide to Digital Imaging.
'It's been a painful transition from film to digital for many
cinematographers. Brown takes the mystery out of it and presents the
technical aspects of this change seamlessly. It is, after all, about art!'
Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC
School of Cinematic Arts
'As a practicing cinematographer who also teaches, I consider The
Filmmaker's Guide to Digital Imaging essential reading for my students.
Blain Brown demystifies the technical processes of digital cinematography
from the most basic to the more complex. Given the recent rapid development
in this field, working professionals too will find this is a must-have
guide. I'm one of them.'
Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the
Arts, New York University
'Just when you think a textbook can't get any better, Brown comes up with
this. Explanatory diagrams and illustrations from films give insight into
the thought process and methods of the cinematographer. Brown illuminates
both the large gestures and the finer points of the art and craft of
cinematography.'
James Henderson, Filmmaker/photographer/educator
'This is a welcome updated version of Cinematography: Theory and Practice,
which keeps the traditional approaches to camerawork, and includes
additional chapters on technological developments, such as Cameras and
Image Control including a section on LUTs, and DIT & Workflow. This is an
essential book for teaching camera techniques to students in the changing
world of cinematography technologies.'
Jeremy Bubb, Chair of NAHEMI; Filmmaker, and Academic
cinematographers. Brown takes the mystery out of it and presents the
technical aspects of this change seamlessly. It is, after all, about art!'
Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC
School of Cinematic Arts
'As a practicing cinematographer who also teaches, I consider The
Filmmaker's Guide to Digital Imaging essential reading for my students.
Blain Brown demystifies the technical processes of digital cinematography
from the most basic to the more complex. Given the recent rapid development
in this field, working professionals too will find this is a must-have
guide. I'm one of them.'
Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the
Arts, New York University
'Just when you think a textbook can't get any better, Brown comes up with
this. Explanatory diagrams and illustrations from films give insight into
the thought process and methods of the cinematographer. Brown illuminates
both the large gestures and the finer points of the art and craft of
cinematography.'
James Henderson, Filmmaker/photographer/educator
'This is a welcome updated version of Cinematography: Theory and Practice,
which keeps the traditional approaches to camerawork, and includes
additional chapters on technological developments, such as Cameras and
Image Control including a section on LUTs, and DIT & Workflow. This is an
essential book for teaching camera techniques to students in the changing
world of cinematography technologies.'
Jeremy Bubb, Chair of NAHEMI; Filmmaker, and Academic
'It's been a painful transition from film to digital for many
cinematographers. Brown takes the mystery out of it and presents the
technical aspects of this change seamlessly. It is, after all, about art!'
Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC
School of Cinematic Arts
'As a practicing cinematographer who also teaches, I consider The
Filmmaker's Guide to Digital Imaging essential reading for my students.
Blain Brown demystifies the technical processes of digital cinematography
from the most basic to the more complex. Given the recent rapid development
in this field, working professionals too will find this is a must-have
guide. I'm one of them.'
Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the
Arts, New York University
'Just when you think a textbook can't get any better, Brown comes up with
this. Explanatory diagrams and illustrations from films give insight into
the thought process and methods of the cinematographer. Brown illuminates
both the large gestures and the finer points of the art and craft of
cinematography.'
James Henderson, Filmmaker/photographer/educator
'This is a welcome updated version of Cinematography: Theory and Practice,
which keeps the traditional approaches to camerawork, and includes
additional chapters on technological developments, such as Cameras and
Image Control including a section on LUTs, and DIT & Workflow. This is an
essential book for teaching camera techniques to students in the changing
world of cinematography technologies.'
Jeremy Bubb, Chair of NAHEMI; Filmmaker, and Academic
cinematographers. Brown takes the mystery out of it and presents the
technical aspects of this change seamlessly. It is, after all, about art!'
Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC
School of Cinematic Arts
'As a practicing cinematographer who also teaches, I consider The
Filmmaker's Guide to Digital Imaging essential reading for my students.
Blain Brown demystifies the technical processes of digital cinematography
from the most basic to the more complex. Given the recent rapid development
in this field, working professionals too will find this is a must-have
guide. I'm one of them.'
Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the
Arts, New York University
'Just when you think a textbook can't get any better, Brown comes up with
this. Explanatory diagrams and illustrations from films give insight into
the thought process and methods of the cinematographer. Brown illuminates
both the large gestures and the finer points of the art and craft of
cinematography.'
James Henderson, Filmmaker/photographer/educator
'This is a welcome updated version of Cinematography: Theory and Practice,
which keeps the traditional approaches to camerawork, and includes
additional chapters on technological developments, such as Cameras and
Image Control including a section on LUTs, and DIT & Workflow. This is an
essential book for teaching camera techniques to students in the changing
world of cinematography technologies.'
Jeremy Bubb, Chair of NAHEMI; Filmmaker, and Academic