Cinesexuality explores the queerness of cinema spectatorship - represented as a unique encounter of desire, pleasure and perversion beyond binary dialectics of subject/object and image/meaning. Through a variety of cinematic examples, the book encourages a radical shift to spectatorship as itself inherently queer beyond what is watched and who watches.
Cinesexuality explores the queerness of cinema spectatorship - represented as a unique encounter of desire, pleasure and perversion beyond binary dialectics of subject/object and image/meaning. Through a variety of cinematic examples, the book encourages a radical shift to spectatorship as itself inherently queer beyond what is watched and who watches.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Patricia MacCormack is Senior Lecturer in Communication and Film at Anglia Ruskin University, Cambridge. Her principal research interests are in continental philosophy, particularly the works of Deleuze, Guattari, Irigaray, Foucault, Bataille, Lyotard and Blanchot and she has published extensively in these areas. She has also written on a diverse range of issues such as body modification, post-human ethics, performance art, monster theory and particularly Italian horror film.
Inhaltsangabe
Chapter 1 Spectatorship: An Inter-kingdom Desire Chapter 2 A Cinema of Desire: Cinesexuality and Asemiosis Chapter 3 Cinemasochism Chapter 4 Baroque Cinesexuality Chapter 5 Baroque Becomings Chapter 6 Zombies without Organs Chapter 7 Necrosexuality Chapter 8 The Ecosophy of Spectatorship