"This manuscript seeks to write China back into the narrative about the explosion of new forms of popular music globally in the 1960s. In the context of China and Taiwan, new aesthetic forms of music emerged and circulated via circuits of exchange between urban and rural, from the radio circuits that linked major urban centers to the West to the "closed circuits" of socialist media across rural China"--
"This manuscript seeks to write China back into the narrative about the explosion of new forms of popular music globally in the 1960s. In the context of China and Taiwan, new aesthetic forms of music emerged and circulated via circuits of exchange between urban and rural, from the radio circuits that linked major urban centers to the West to the "closed circuits" of socialist media across rural China"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew F. Jones, professor and Louis B. Agassiz Chair in Chinese at the University of California, Berkeley, teaches modern Chinese literature and media culture. He is author of Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music, Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age, and Developmental Fairy Tales: Evolutionary Thinking and Modern Chinese Culture. He has also translated two books of fiction by Yu Hua, and a volume of literary essays by Eileen Chang.
Inhaltsangabe
Contents Acknowledgments Introduction. The East is Red: Towards a Sonic History of the 1960s 1. Circuit Listening at the Dawn of the Chinese 1960s 2. Quotation Songs: Media Infrastructure and Pop Song Form in Mao’s China 3. Fugitive Sounds of the Taiwanese Musical Cinema 4. Pirates of the China Seas: Vinyl Records and the Military Circuit 5. Folk Circuits: Rediscovering Chen Da 6. Teresa Teng and the Network Trace Appendix: “Listening to Songs in the Streets of Taipei” Hsu Tsang-Houei Notes Index
Contents Acknowledgments Introduction. The East is Red: Towards a Sonic History of the 1960s 1. Circuit Listening at the Dawn of the Chinese 1960s 2. Quotation Songs: Media Infrastructure and Pop Song Form in Mao’s China 3. Fugitive Sounds of the Taiwanese Musical Cinema 4. Pirates of the China Seas: Vinyl Records and the Military Circuit 5. Folk Circuits: Rediscovering Chen Da 6. Teresa Teng and the Network Trace Appendix: “Listening to Songs in the Streets of Taipei” Hsu Tsang-Houei Notes Index
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