George McKay is a professor of cultural studies at the University of Salford in England. He is the author of Glastonbury: A Very English Fair and Senseless Acts of Beauty: Cultures of Resistance since the Sixties; the editor of DiY Culture: Party & Protest in Nineties Britain; and a coeditor of Community Music: A Handbook and Social Movement Studies: Journal of Social, Cultural, and Political Protest.
Inhaltsangabe
Preface ix Acknowledgments xiii Introduction: Jazz, Europe, Americanization 1 1. New Orleans Jazz, Protest (Aldermaston), and Carnival (Beaulieu) 45 2. Whiteness and (British) Jazz 87 3. Jazz of the Black Atlantic and the Commonwealth 129 4. The Politics and Performance of Improvisation and Contemporary Jazz in the 1960s and 1970s 191 5. From "Male Music" to Feminist Improvising 243 Conclusion 297 Notes 305 Bibliography 333 Index 349
Preface ix Acknowledgments xiii Introduction: Jazz, Europe, Americanization 1 1. New Orleans Jazz, Protest (Aldermaston), and Carnival (Beaulieu) 45 2. Whiteness and (British) Jazz 87 3. Jazz of the Black Atlantic and the Commonwealth 129 4. The Politics and Performance of Improvisation and Contemporary Jazz in the 1960s and 1970s 191 5. From "Male Music" to Feminist Improvising 243 Conclusion 297 Notes 305 Bibliography 333 Index 349
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
