Offers completely original account of Shakespearean 'character,' developing the semiotic theory of the importance of offstage space and time in theatre in new ways.
Offers completely original account of Shakespearean 'character,' developing the semiotic theory of the importance of offstage space and time in theatre in new ways.
Lorna Hutson is the Merton Professor of English Literature at the University of Oxford. She was educated in San Francisco, Edinburgh and Oxford and has taught at Queen Mary, University of London and at the University of California at Berkeley. Her books include Thomas Nashe in Context (1989), The Usurer's Daughter (1994), Feminism and Renaissance Studies (1999), Rhetoric and Law in Early Modern Europe (with Victoria Kahn, 2001) and The Invention of Suspicion (2007), which won the Roland H. Bainton prize for literature in 2008. She has held fellowships from the Guggenheim, the Folger, the Huntington, the AHRC and the Leverhulme Trust.
Inhaltsangabe
Introduction 1: 'Quando?' (When?) in Romeo and Juliet 2: 'Imaginary Work': Opportunity in Lucrece and in King Lear 3: Where and how? Two Gentlemen of Verona and The Maid's Tragedy 4: 'The Innocent Sleepe': Motive in Macbeth Conclusion
Introduction 1: 'Quando?' (When?) in Romeo and Juliet 2: 'Imaginary Work': Opportunity in Lucrece and in King Lear 3: Where and how? Two Gentlemen of Verona and The Maid's Tragedy 4: 'The Innocent Sleepe': Motive in Macbeth Conclusion
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