Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.
Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Learning, Citation and Authority in Musical Culture before 1600 Suzannah Clark and Elizabeth Eva Leach 'Naturalis Concordia vocum cum planetis': Conceptualizing the Harmony of the Spheres in the Early Middle Ages Susan K Rankin 'Auctoritas cereum habet nasum': Boethius, Aristotle, and the Music of the Spheres in the Thirteenth and Early Fourteenth CenturiesCenturies Gilles Rico Types and Transmissions of Musical Examples in Franco's Ars cantus mensurabilis musicae Christian Leitmeir Ciconia's Citations in Nova musica: New Sources as Biography Barbara Haggh Huglo Fauvel Goes to School Leofranc Holford Strevens Auctoritas and the Motets of Philippe de Vitry Andrew Wathey Fire, Desire, Duration, Death: Machaut's Motet 10 Kevin Brownlee Machaut Reading Machaut: Self Borrowing and Reinterpretation in Motets 8 and 21 Alice V. Clark Declamatory Dissonance in Machaut Lawrence Earp 'Qui bien aimme a tart oublie':Machanut's Lay de plour in Context Virginia Newes 'Imitatio', 'Intertextuality', and Early Music John Milsom Apollinis eclipsatur: Foundation of the Collegium musicorum David R. Howlett De plus en plus: Numbers, Binchois and Ockeghem Reinhard Strohm An English adoption of the Burgundian chanson Theodor Dumitrescu Learning to compose in the 1540s: Gioseffo Zarlino's Si bona suscepimus Cristle Collins Judd The Eloquence of Silence: Tacet Inscriptions in the Alamire Manuscripts Bonnie Blackburn
Introduction: Learning, Citation and Authority in Musical Culture before 1600 Suzannah Clark and Elizabeth Eva Leach 'Naturalis Concordia vocum cum planetis': Conceptualizing the Harmony of the Spheres in the Early Middle Ages Susan K Rankin 'Auctoritas cereum habet nasum': Boethius, Aristotle, and the Music of the Spheres in the Thirteenth and Early Fourteenth CenturiesCenturies Gilles Rico Types and Transmissions of Musical Examples in Franco's Ars cantus mensurabilis musicae Christian Leitmeir Ciconia's Citations in Nova musica: New Sources as Biography Barbara Haggh Huglo Fauvel Goes to School Leofranc Holford Strevens Auctoritas and the Motets of Philippe de Vitry Andrew Wathey Fire, Desire, Duration, Death: Machaut's Motet 10 Kevin Brownlee Machaut Reading Machaut: Self Borrowing and Reinterpretation in Motets 8 and 21 Alice V. Clark Declamatory Dissonance in Machaut Lawrence Earp 'Qui bien aimme a tart oublie':Machanut's Lay de plour in Context Virginia Newes 'Imitatio', 'Intertextuality', and Early Music John Milsom Apollinis eclipsatur: Foundation of the Collegium musicorum David R. Howlett De plus en plus: Numbers, Binchois and Ockeghem Reinhard Strohm An English adoption of the Burgundian chanson Theodor Dumitrescu Learning to compose in the 1540s: Gioseffo Zarlino's Si bona suscepimus Cristle Collins Judd The Eloquence of Silence: Tacet Inscriptions in the Alamire Manuscripts Bonnie Blackburn
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