Citizen Artists takes the reader on a journey through the process of producing, funding, researching, creating, rehearsing, directing, performing, and touring student-driven plays about social justice.
Citizen Artists takes the reader on a journey through the process of producing, funding, researching, creating, rehearsing, directing, performing, and touring student-driven plays about social justice.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James Wallert is a Founder and Co-Artistic Director of New York City¿s Epic Theatre Ensemble. He is an actor, playwright, director, producer, and educator. To learn more about James and Epic visit www.EpicTheatreEnsemble.org.
Inhaltsangabe
INTRODUCTION PART ONE: THE CITIZEN ARTIST METHODOLOGY Chapter 1: How do we transform art into activism? Chapter 2: What is a Citizen Artist? Chapter 3: What is Epic Theatre? Chapter 4: How do we work with Commissioning Partners? Chapter 5: How do we create a safe and Culturally Responsive space? Chapter 6: How do we get started? Chapter 7: How do we create an essential question? Chapter 8: How do we conduct interviews? Chapter 9: What are enabling constraints? Chapter 10: How do we populate the world of the play? Chapter 11: How do we come to consensus? Chapter 12: How do we write scenes? Chapter 13: How do we organize our material into a first draft? Chapter 14: How do we revise scenes? Chapter 15: How do we rehearse our play? Chapter 16: How do we perform our play? Chapter 17: How do we lead a meaningful post-show discussion? Chapter 18: How do we pay for all of this? PART TWO: THE CITIZEN ARTIST CURRICULUM Chapter 19: Newspaper Theatre Chapter 20: Objectives and Tactics Chapter 21: Fundamentals of Dramatic Structure Chapter 22: Ethical Dilemma Chapter 23: Subtext Chapter 24: Environment, Relationship, Conflict, Resolution (ERCR) Chapter 25: Caucus PART THREE: THE CITIZEN ARTIST PLAYS Chapter 26: Default Chapter 27: Perfect Circle Chapter 28: Overdrive Chapter 29: Nothing About Us CONCLUSION
INTRODUCTION PART ONE: THE CITIZEN ARTIST METHODOLOGY Chapter 1: How do we transform art into activism? Chapter 2: What is a Citizen Artist? Chapter 3: What is Epic Theatre? Chapter 4: How do we work with Commissioning Partners? Chapter 5: How do we create a safe and Culturally Responsive space? Chapter 6: How do we get started? Chapter 7: How do we create an essential question? Chapter 8: How do we conduct interviews? Chapter 9: What are enabling constraints? Chapter 10: How do we populate the world of the play? Chapter 11: How do we come to consensus? Chapter 12: How do we write scenes? Chapter 13: How do we organize our material into a first draft? Chapter 14: How do we revise scenes? Chapter 15: How do we rehearse our play? Chapter 16: How do we perform our play? Chapter 17: How do we lead a meaningful post-show discussion? Chapter 18: How do we pay for all of this? PART TWO: THE CITIZEN ARTIST CURRICULUM Chapter 19: Newspaper Theatre Chapter 20: Objectives and Tactics Chapter 21: Fundamentals of Dramatic Structure Chapter 22: Ethical Dilemma Chapter 23: Subtext Chapter 24: Environment, Relationship, Conflict, Resolution (ERCR) Chapter 25: Caucus PART THREE: THE CITIZEN ARTIST PLAYS Chapter 26: Default Chapter 27: Perfect Circle Chapter 28: Overdrive Chapter 29: Nothing About Us CONCLUSION
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