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What is a city? What does it have to tell us? What distinguishes the contemporary, complex or ultra-sophisticated city from other supposedly developing cities? In other, almost identical terms, what makes a metropolis, if not a megalopolis, the spectacle of urban power in its most formidable form, the true portrait of an (over)urbanized space? To decide this, it is essential to analyze the meaning of the term "urbanization" or what we can also call the "urban fact". Currently, it is in fact almost infallible, it seems, that the concept of the urbanization is not a ground unexplored in depth by…mehr

Produktbeschreibung
What is a city? What does it have to tell us? What distinguishes the contemporary, complex or ultra-sophisticated city from other supposedly developing cities? In other, almost identical terms, what makes a metropolis, if not a megalopolis, the spectacle of urban power in its most formidable form, the true portrait of an (over)urbanized space? To decide this, it is essential to analyze the meaning of the term "urbanization" or what we can also call the "urban fact". Currently, it is in fact almost infallible, it seems, that the concept of the urbanization is not a ground unexplored in depth by different disciplines; so much it governs and shapes, inexorably, the existential framework of our life, is attached to its mode of functioning and, consequently, becomes an implicative factor of any possible urban and human transmutation.
Autorenporträt
Majda MEFTAHI, professora de francês e estudante de doutoramento ligada ao LERIC na FLSH, Universidade Chouaîb Doukkali (UCD) de El Jadida. O meu trabalho de tese centra-se na relação entre literatura e arquitectura no romance francês contemporâneo de Jean-Philippe Toussaint, Jean Echenoz e Christian Oster.