This book critically examines the music and politics that emerged from the Civil Rights Movement as incredibly important sites and sources of spiritual rejuvenation, social organization, political education, and cultural transformation. The book is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge.
This book critically examines the music and politics that emerged from the Civil Rights Movement as incredibly important sites and sources of spiritual rejuvenation, social organization, political education, and cultural transformation. The book is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge.
Reiland Rabaka is professor of African, African American, and Caribbean studies in the Department of Ethnic Studies at the University of Colorado at Boulder and the author of The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation and Hip Hop's Amnesia: From Blues and the Black Women's Club Movement to Rap and the Hip Hop Movement.
Inhaltsangabe
Chapter 1: The Sociology of the Civil Rights Movement Chapter 2: The Musicology of the Civil Rights Movement Chapter 3: Gospel and the Civil Rights Movement Chapter 4: Rhythm & Blues and the Civil Rights Movement Chapter 5: Rock & Roll and the Civil Rights Movement
Chapter 1: The Sociology of the Civil Rights Movement Chapter 2: The Musicology of the Civil Rights Movement Chapter 3: Gospel and the Civil Rights Movement Chapter 4: Rhythm & Blues and the Civil Rights Movement Chapter 5: Rock & Roll and the Civil Rights Movement
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