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Classic American Films explores the origin and development of many of the most influential and revered films in cinema history, and does so with the aid and insight of the people who actually wrote the screenplays. These lively, candid, in-depth interviews are filled with fascinating new material (details, anecdotes, judgments, and opinions) about the creative and collaborative processes that went into the making of these extraordinary films. In the past, Hollywood screenwriters-the original artists-have often been overlooked. This book is a special tribute to the invaluable contributions of…mehr

Produktbeschreibung
Classic American Films explores the origin and development of many of the most influential and revered films in cinema history, and does so with the aid and insight of the people who actually wrote the screenplays. These lively, candid, in-depth interviews are filled with fascinating new material (details, anecdotes, judgments, and opinions) about the creative and collaborative processes that went into the making of these extraordinary films. In the past, Hollywood screenwriters-the original artists-have often been overlooked. This book is a special tribute to the invaluable contributions of these cinematic visionaries, many of whom are considered among the greatest screenwriters in American film history. As Orson Welles once said, In my opinion, the writer should have the first and last word in filmmaking. This book allows them to have that exciting opportunity. Some of the highlights from these interviews include: Betty Comden and Adolph Green's explaining how a nightclub skit became the premise for Singin' in the Rain; Ernest Lehman's description of how, while in conversation with Hitchcock, his unconscious suddenly solved the plot problems in North by Northwest; Carl Gottlieb's remembrance of the terrible pressure involved with writing the script for Jaws while shooting was already underway; and Sylvester Stallone's account of how he received final approval to star in Rocky from studio executives who thought he was just another actor.
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Autorenporträt
William Baer is the author of thirty books including Times Square and Other Stories, Psalter: A Sequence of Catholic Sonnets, Classic American Films: Conversations with the Screenwriters, Luís de Camões: Selected Sonnets (translations from the Portuguese); and the Jack Colt Mystery series, New Jersey Noir. A graduate of Rutgers, NYU, South Carolina, the Johns Hopkins Writing Seminars, and USC Cinema, he's been the recipient of a Guggenheim Fellowship, a Fulbright (Portugal), an NEA fellowship in fiction, the T. S. Eliot Award, and the Jack Nicholson Screenwriting Award. He was also the founding editor of the Formalist, the founding director of the St. Robert Southwell Summer Workshops, and the film critic and poetry editor at Crisis.