Classical and Romantic Performing Practice - Brown, Clive
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Drawing upon early recordings, documentary evidence, and the few surviving mechanical instruments, author Clive Brown investigates how we might rediscover the subliminal messages Classical and Romantic music notation was intended to convey to performers and argues that composers' intentions for their notation ought not to be confused with their expectations for its execution. The revised and expanded second edition incorporates new information resulting from the author's continued research and practical experimentation since 1999 and his work with a succession of talented doctoral students.

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Produktbeschreibung
Drawing upon early recordings, documentary evidence, and the few surviving mechanical instruments, author Clive Brown investigates how we might rediscover the subliminal messages Classical and Romantic music notation was intended to convey to performers and argues that composers' intentions for their notation ought not to be confused with their expectations for its execution. The revised and expanded second edition incorporates new information resulting from the author's continued research and practical experimentation since 1999 and his work with a succession of talented doctoral students.
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Autorenporträt
Clive Brown was a member of the Faculty of Music at Oxford University from 1980 to 1991. He is now Emeritus Professor of Applied Musicology at the University of Leeds and continues to teach part-time at the Universität für Musik und darstellende Kunst, Vienna. A concert violinist, his work concentrates on practice-led research and performance. During the 1990s and early 2000s, he was concertmaster of the Cambridge Classical Orchestra. As leader of the Ferdinand David Ensemble, he took part in many chamber performances with his practice-led doctoral students.