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This text examines the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production.

Produktbeschreibung
This text examines the interplay between the aesthetics and the censorship of violence in classic Hollywood films from 1930 to 1968, the era of the Production Code, when filmmakers were required to have their scripts approved before they could start production.
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Autorenporträt
STEPHEN PRINCE is a professor of communication studies at Virginia Tech. His many books include A New Pot of Gold: Hollywood under the Electronic Rainbow, 1980-1989, Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies, and Screening Violence (Rutgers University Press).