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How does post-classical cinema visualize its awareness of coming after a "classical" or "golden age"? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? Classical Projections offers a new way of seeing quotations of films within other films.

Produktbeschreibung
How does post-classical cinema visualize its awareness of coming after a "classical" or "golden age"? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? Classical Projections offers a new way of seeing quotations of films within other films.
Autorenporträt
Eleni Palis is an assistant professor of English and Cinema Studies at the University of Tennessee. Her work has appeared in Screen, The Journal of Cinema and Media Studies (Cinema Journal), [in]Transition: Journal of Videographic Film and Moving Image Studies, and Oxford Bibliographies Online.