Melinda Bargreen, a Seattle-based writer and composer, was classical music critic for the Seattle Times from 1977 to 2008. She is the author of 50 Years of Seattle Opera.
Melinda Bargreen, a Seattle-based writer and composer, was classical music critic for the Seattle Times from 1977 to 2008. She is the author of 50 Years of Seattle Opera.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction THE MAESTROS Milton Katims: The Toscanini Protégé Rainer Miedel and Cordelia Wikarski Miedel: The Maestro and the Maestra Gerard Schwarz: The Consummate Music Director Ludovic Morlot: The Symphonic Innovator Peter Er¿s: The Old-School Maestro Vilem Sokol: The Patron Saint Of The Podium Stephen Stubbs: The Early-Music Innovator George Shangrow: The People's Maestro Resident Conductors: The Vital Links in the Music Community THE IMPRESARIOS Glynn Ross: The Bantam of the Opera Speight Jenkins: The Ring Master Toby Saks: The Impresaria Louis Richmond: The Chamber Orchestra Pathfinder THE VIRTUOSI Béla Siki: The Elegant Stylist John Cerminaro: The Man With The Golden Horn Randolph Hokanson: The Old Master Silvia Kind: The Free Spirit Of The Harpsichord Eva Heinitz: The Greatest Gambist Robin McCabe: The Keyboard Diplomat Ronald Phillips: The Consummate Clarinetist Craig Sheppard: The Classicist Of The Ivories THE COMPOSERS Alan Hovhaness: The Composer of the Mountains William Bolcom: The Compositional Innovator Samuel Jones: The Harmony Seeker THE POWER BROKERS AND PATRONS William and Ruth Gerberding: The Couple Who Made Things Happen William Bain, Jr.: The Architect Of The Boardroom Hans Lehmann: The Renaissance Man Samuel N. Stroum: The Mover And Shaker Deborah (Card) Rutter: The Power Behind The Podium Sam and Gladys Rubinstein: The Key Advisors Buster and Nancy Alvord: The Practical Donors Jerry and Lenore Hanauer: The Imaginative Operaphiles John and Laurel Nesholm: The Activists For The Arts Charles Simonyi: The Genius Philanthropist Jack and Becky Benaroya: The Ultimate Benefactors Conclusion Acknowledgments Sources Index
Introduction THE MAESTROS Milton Katims: The Toscanini Protégé Rainer Miedel and Cordelia Wikarski Miedel: The Maestro and the Maestra Gerard Schwarz: The Consummate Music Director Ludovic Morlot: The Symphonic Innovator Peter Er¿s: The Old-School Maestro Vilem Sokol: The Patron Saint Of The Podium Stephen Stubbs: The Early-Music Innovator George Shangrow: The People's Maestro Resident Conductors: The Vital Links in the Music Community THE IMPRESARIOS Glynn Ross: The Bantam of the Opera Speight Jenkins: The Ring Master Toby Saks: The Impresaria Louis Richmond: The Chamber Orchestra Pathfinder THE VIRTUOSI Béla Siki: The Elegant Stylist John Cerminaro: The Man With The Golden Horn Randolph Hokanson: The Old Master Silvia Kind: The Free Spirit Of The Harpsichord Eva Heinitz: The Greatest Gambist Robin McCabe: The Keyboard Diplomat Ronald Phillips: The Consummate Clarinetist Craig Sheppard: The Classicist Of The Ivories THE COMPOSERS Alan Hovhaness: The Composer of the Mountains William Bolcom: The Compositional Innovator Samuel Jones: The Harmony Seeker THE POWER BROKERS AND PATRONS William and Ruth Gerberding: The Couple Who Made Things Happen William Bain, Jr.: The Architect Of The Boardroom Hans Lehmann: The Renaissance Man Samuel N. Stroum: The Mover And Shaker Deborah (Card) Rutter: The Power Behind The Podium Sam and Gladys Rubinstein: The Key Advisors Buster and Nancy Alvord: The Practical Donors Jerry and Lenore Hanauer: The Imaginative Operaphiles John and Laurel Nesholm: The Activists For The Arts Charles Simonyi: The Genius Philanthropist Jack and Becky Benaroya: The Ultimate Benefactors Conclusion Acknowledgments Sources Index
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