F RICHARD F THOMAS / CHARLES MARTINDALE

Classics and the Uses of Reception

Herausgeber: Martindale, Charles; Thomas, Richard F

• Gebundenes Buch

Produktbeschreibung

This landmark collection looks at the role reception plays, or could play, within the modern discipline of classics, and presents a wide variety of viewpoints on its value, use, and theoretical underpinnings. Contributions by scholars from Europe, the UK, and the USA illustrate a range of different approaches and methodological commitments, and employ material from many different fields, from translation studies to the visual arts, and from politics to performance. The volume as a whole offers readers an enriched theoretical understanding of reception and its uses, and makes the case for reception constituting a vital part of classics in the future.

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Produktdetails

• Verlag: Wiley
• Seitenzahl: 352
• Erscheinungstermin: 11. August 2006
• Englisch
• Abmessung: 260mm x 183mm x 23mm
• Gewicht: 859g
• ISBN-13: 9781405131469
• ISBN-10: 1405131462
• Artikelnr.: 22202797

Autorenporträt

Charles Martindale is Professor of Latin at the University of Bristol He has written extensively on the reception of classical poetry. In addition to the theoretical Redeeming the Text: Latin Poetry and the Hermeneutics of Reception (1993), he has edited or coedited collections on the receptions of Virgil, Horace, and Ovid, as well as Shakespeare and the Classics (2004). His most recent book is Latin Poetry and the Judgement of Taste: An Essay in Aesthetics (2005). Richard F. Thomas is Professor of Greek and Latin at Harvard University. His interests are generally focused on Hellenistic Greek and Roman literature, on intertextuality, and on the reception of classical literature in all periods. Recent books include Reading Virgil and His Texts: Studies in Intertextuality (1999) and Virgil and the Augustan Reception (2001). He is currently working on a commentary to Horace, Odes 4 and a coedited volume on the performance artistry of Bob Dylan.

Inhaltsangabe

List of Figures.
Notes on Contributors.
Introduction: Thinking Through Reception (Charles Martindale).
1. Provocation: The Point of Reception Theory (William W. Batstone).
Part I. Reception in Theory.
2. Literary History as a Provocation to Reception Studies (Ralph Hexter).
3. Discipline and Receive; or, Making an Example out of Marsyas (Timothy
Saunders).
4. Text, Theory, and Reception (Kenneth Haynes).
5. Surfing the Third Wave? Postfeminism and the Hermeneutics of Reception
(Genevieve Liveley).
6. Allusion as Reception: Virgil, Milton, and the Modern Reader (Craig
Kallendorf).
7. Hector and Andromache: Identification and Appropriation (Vanda Zajko).
8. Passing on the Panpipe: Genre and Reception (Mathilde Skoie).
9. True Histories: Lucien, Bakhtin, and the Pragmatics of Reception (Tim
Whitmarsh).
10. The Uses of Reception: Derrida and the Historical Imperative (Miriam
Leonard).
11. The Use and Abuse of Antiquity: The Politics and Morality of
Appropriation (Katie Fleming).
Part II. Studies in Reception.
12. The Homeric Moment? Translation, Historicity, and the Meaning of the
Classics (Alexandra Lianeri).
13. Looking for Ligurinus: An Italian Poet in the Nineteenth Century
(Richard F. Thomas).
14. Foucault's Antiquity (James I. Porter).
15. Fractured Understandings: Towards a History of Classical Reception
Among Non-Elite Groups (Siobhán McElduff).
16. Decolonizing the Postcolonial Colonizers: Helen in Derek Walcott's
Omeros (Helen Kaufmann).
17. Remodeling Receptions: Greek Drama as Diaspora in Performance (Lorna
Hardwick).
18. Reception, Performance, and the Sacrifice of Iphigenia (Pantelis
Michelakis).
19. Reception and Ancient Art: The Case of the Venus de Milo (Elizabeth
Prettejohn).
20. The Touch of Sappho (Simon Goldhill).
21. (At) the Visual Point of Reception: Anselm Feuerbach's Das Gastmahl des
Platon; or, Philosophy in Paint (John Henderson).
22. Afterword: The Uses of "Reception" (Duncan F. Kennedy).
Bibliography.
Index.

Rezensionen

?Classics has a particular stake in critical thought thataddresses the problem of our (as classicists and readers)historical alienation from the texts we read.? (Classics JournalOnline, September 2009)

"There is much of great value scattered throughout the volume."(The Classical Review, 2008)

"This collection of essays, a volume in the Classical ReceptionSeries edited by Maria Wyke, deserves the close attention of anyonewith an interest in reception studies and in particular inreception theory." (Journal of Hellenic Studies, February2009)

"[A] landmark collection ... The volume as a whole offersreaders an enriched theoretical understanding of reception and itsuses." (Fabula)

"This body of work is not just a coordinated foray into someoneelse's territory; students of classical reception are writing acollective autobiography and developing a new charter for ourdiscipline." (Bryn Mawr Classical Review)"In this thought-provoking and pioneering volume, the editors haveput together a diverse collection of essays, which amply reflectthe range of work currently carried out under the umbrella ofclassical reception studies. There is refreshingly no 'orthodoxy':instead, we are offered a stimulating series of questions, problemsand possible solutions, which will help to provide much neededtheoretical rigour to this emergent branch of classicalscholarship."
-Fiona Macintosh, University of Oxford

"A first-rate collection, with some of the most exciting andmost rigorous of modern studies in classical reception."
-Mary Beard, University of Cambridge