This is the first single-authored book in English on the photographer Claude Cahun, whose work was rediscovered in the 1980s. Addressing Cahun's ambivalent relationship with Symbolism and later relationship with Surrealism, this highly readable book also looks at Cahun's unusual approach to the domestic object.
This is the first single-authored book in English on the photographer Claude Cahun, whose work was rediscovered in the 1980s. Addressing Cahun's ambivalent relationship with Symbolism and later relationship with Surrealism, this highly readable book also looks at Cahun's unusual approach to the domestic object.
Doy is Lecturer in.at De Montfot University. She is the author of 'Picturing the Self', 'Drapery' and 'Black Visual Culture' (all I.B.Tauris).
Inhaltsangabe
List of Illustrations Acknowledgements A Brief Chronology Introduction 1. Medusa and Her Sisters 2. Masks Masquerades and Mirrors 3. Love Politics and What She Wore 4. Politics and Its Objects Afterword Notes Select Bibliography Index
List of Illustrations Acknowledgements A Brief Chronology Introduction 1. Medusa and Her Sisters 2. Masks Masquerades and Mirrors 3. Love Politics and What She Wore 4. Politics and Its Objects Afterword Notes Select Bibliography Index
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