Claudio Monteverdi's Venetian Operas
Sources, Performance, Interpretation
Herausgeber: Rosand, Ellen; La Via, Stefano
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Claudio Monteverdi's Venetian Operas
Sources, Performance, Interpretation
Herausgeber: Rosand, Ellen; La Via, Stefano
- Broschiertes Buch
Claudio Monteverdiâ s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdiâ s late operas from an interdisciplinary perspective.
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Claudio Monteverdiâ s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdiâ s late operas from an interdisciplinary perspective.
Produktdetails
- Produktdetails
- Ashgate Interdisciplinary Studies in Opera
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 286
- Erscheinungstermin: 29. Januar 2024
- Englisch
- Abmessung: 234mm x 154mm x 19mm
- Gewicht: 456g
- ISBN-13: 9781032291925
- ISBN-10: 1032291923
- Artikelnr.: 69791610
- Ashgate Interdisciplinary Studies in Opera
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 286
- Erscheinungstermin: 29. Januar 2024
- Englisch
- Abmessung: 234mm x 154mm x 19mm
- Gewicht: 456g
- ISBN-13: 9781032291925
- ISBN-10: 1032291923
- Artikelnr.: 69791610
Ellen Rosand, George A. Saden Professor of Music Emerita at Yale (1992-2014), is the author of Opera in Seventeenth-Century Venice: The Creation of a Genre (1991), and Monteverdi's Last Operas: A Venetian Trilogy (2007). She also edited Readying Cavalli's Operas for the Stage (2013), is General Editor of Cavalli Opere, a critical edition of the operas of Francesco Cavalli, and founded the Yale Baroque Opera Project, an undergraduate opera company, in 2006, with the support of a Distinguished Achievement Award from the Andrew W. Mellon Foundation Stefano La Via is Professor of "Storia della Poesia per musica" and "Storia della Canzone d'autore" at the University of Pavia, Department of Musicology and Cultural Heritage (Cremona). Educated at the Universities of Rome and Princeton, he has published essays on the relationship between poetry and music in various historical periods, with particular reference to 16th-century Madrigal, 17th-/18th-century Opera, Auteur Song in Europe and the Americas.
PART I: Context and Sources
1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading
of L'Incoronazione di Poppea
2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of
Le ore ociose (1656).
3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes
4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance
Practice, and Authorship
5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful
Reversal" of il ritorno d'Ulisse in patria.
6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria
in the Music Collection of Leopoldo I in Vienna. 9 IMAGES
PART II: Performance and Interpretation
7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi
8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and
Hurdles.
9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno
d'Ulisse.
10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.
11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings
of L'incoronazione di Poppea.
12. Jane Glover. Conducting Monteverdi's Venetian Operas.
1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading
of L'Incoronazione di Poppea
2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of
Le ore ociose (1656).
3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes
4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance
Practice, and Authorship
5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful
Reversal" of il ritorno d'Ulisse in patria.
6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria
in the Music Collection of Leopoldo I in Vienna. 9 IMAGES
PART II: Performance and Interpretation
7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi
8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and
Hurdles.
9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno
d'Ulisse.
10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.
11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings
of L'incoronazione di Poppea.
12. Jane Glover. Conducting Monteverdi's Venetian Operas.
PART I: Context and Sources
1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading
of L'Incoronazione di Poppea
2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of
Le ore ociose (1656).
3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes
4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance
Practice, and Authorship
5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful
Reversal" of il ritorno d'Ulisse in patria.
6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria
in the Music Collection of Leopoldo I in Vienna. 9 IMAGES
PART II: Performance and Interpretation
7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi
8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and
Hurdles.
9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno
d'Ulisse.
10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.
11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings
of L'incoronazione di Poppea.
12. Jane Glover. Conducting Monteverdi's Venetian Operas.
1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading
of L'Incoronazione di Poppea
2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of
Le ore ociose (1656).
3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes
4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance
Practice, and Authorship
5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful
Reversal" of il ritorno d'Ulisse in patria.
6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria
in the Music Collection of Leopoldo I in Vienna. 9 IMAGES
PART II: Performance and Interpretation
7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi
8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and
Hurdles.
9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno
d'Ulisse.
10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.
11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings
of L'incoronazione di Poppea.
12. Jane Glover. Conducting Monteverdi's Venetian Operas.