Clean & Well Lit - Raworth, Tom
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Tom Raworth's lines are flecks "reflecting light/from an implied viewpoint," as not from the setting sun but towards it. His lines appear to refer to other narratives and to be also their own sources only. Source of events as "assumptions about history." As apparent reflections from themselves (not from the implied 'larger narrative') the lines are "passing near the black hole/in ordinary flat space." If the lines are "coincidences/moving relative to one another" "irrespective of identity" yet occur through narration "making the visual field/radically estranged," "meaning might be/an…mehr

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Produktbeschreibung
Tom Raworth's lines are flecks "reflecting light/from an implied viewpoint," as not from the setting sun but towards it. His lines appear to refer to other narratives and to be also their own sources only. Source of events as "assumptions about history." As apparent reflections from themselves (not from the implied 'larger narrative') the lines are "passing near the black hole/in ordinary flat space." If the lines are "coincidences/moving relative to one another" "irrespective of identity" yet occur through narration "making the visual field/radically estranged," "meaning might be/an inexhaustibility of reference/rather than detailing/flecks that float on the surface/where gaze unfolds."- Leslie Scalapino
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Autorenporträt
Tom Raworth's work has been identified with the Black Mountain School and he has written over 40 collections of poetry, among them The Relation Ship , winner of the Alice Hunt Bartlett Prize, and Eternal Sections, Tottering State: Selected Poems 1965- 1983, Collected Poems, Writing: Poems 1980- 2003, and Windmills in Flames: Old and New Poems.