An exploration of the implicit and explicit ways that an alternate African diasporic consciousness, grounded in folk mores, is expressed in Afro-Caribbean writing.
An exploration of the implicit and explicit ways that an alternate African diasporic consciousness, grounded in folk mores, is expressed in Afro-Caribbean writing.
Catherine A. John is Assistant Professor of African Diasporic Literature at the University of Oklahoma.
Inhaltsangabe
Acknowledgments ix Introduction: Alternate Consciousness in the Diaspora 1 1 Paris in 1956: Negritude and Cultural Discourse 21 2 Colonial Legacies, Gender Identity, and Black Female Writing in the Diaspora 43 3 Negritude and Negativity: Alienation and "Voice" in Eastern Caribbean Literature 74 4 Diaspora Philosophy, French Caribbean Literature, and Simone Schwarz-Bart's Pluie et vent sur Telumee Miracle 114 5 The Spoken Word and Spirit Consciousness: Audre Lorde and Paule Marshall's Diasporic Voice 158 Afterword 203 Notes 211 Bibliography 227 Index 237
Acknowledgments ix Introduction: Alternate Consciousness in the Diaspora 1 1 Paris in 1956: Negritude and Cultural Discourse 21 2 Colonial Legacies, Gender Identity, and Black Female Writing in the Diaspora 43 3 Negritude and Negativity: Alienation and "Voice" in Eastern Caribbean Literature 74 4 Diaspora Philosophy, French Caribbean Literature, and Simone Schwarz-Bart's Pluie et vent sur Telumee Miracle 114 5 The Spoken Word and Spirit Consciousness: Audre Lorde and Paule Marshall's Diasporic Voice 158 Afterword 203 Notes 211 Bibliography 227 Index 237
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