Poetry. "CLEAVAGE is erotic, intelligent, self-aware and acutely conscious with ahothouse femme expertise. Vernacular and current, literary and erudite, Tysh's references serve her immediate images in one deft sketch after another, showing us women in their most intimate relations to themselves, their lives, and circumstances. Tysh is possessed of a singular sensual intellect, now fully mature, and going at full throttle"--Johanna Drucker. Tysh, born and raised in Paris, a student of American literature at the Sorbonne, author of a critical study of Allen Ginsberg, was naturalized as a U.S.…mehr
Poetry. "CLEAVAGE is erotic, intelligent, self-aware and acutely conscious with ahothouse femme expertise. Vernacular and current, literary and erudite, Tysh's references serve her immediate images in one deft sketch after another, showing us women in their most intimate relations to themselves, their lives, and circumstances. Tysh is possessed of a singular sensual intellect, now fully mature, and going at full throttle"--Johanna Drucker. Tysh, born and raised in Paris, a student of American literature at the Sorbonne, author of a critical study of Allen Ginsberg, was naturalized as a U.S. citizen in 1998. She teaches writing and women's studies at Wayne State University in Detroit. She is a 2003 National Endowment for the Arts fellow.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chris Tysh was born and raised in Paris, and studied American literature at the Sorbonne. She was naturalized as a citizen of the United States on July 4th, 1998. Her critical study, Allen Ginsberg, was published in Paris by Editions Seghers in the series Poetes d'Aujourd'hui. She teaches writing and women's studies at Wayne State University in Detroit. Her books include CLEAVAGE (Roof Books, 2004), CONTINUITY GIRL (United Artists Books, 2000), IN THE NAME (Past Tents Press, 1994), and COAT OF ARMS (Barrytown/Station Hill Press, 1992). Car men, a play in d premiered at The Detroit Institute of Arts in 1996, under the direction of Carla Harryman. She is a 2003 National Endowment for the Arts fellow.
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