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Clifford Simak Collection of Sci Fi; Hellhounds of the Cosmos, Project Mastodon, the World That Couldn't Be, the Street That Wasn't There

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Hellhounds of the Cosmos appeared in the June 1932 issue of Astounding Stories. Weird are the conditions of the interdimensional struggle faced by Dr. White's ninety-nine men. Project Mastodon appeared in the March 1955 issue of Galaxy. He was. Not he alone, but a thousand others, working desperately, knowing that the time was short, working not alone for two men trapped in time, but for the peace they all had dreamed about-that the whole world had yearned for through the ages. For to be of any use, it was imperative that they could zero in the time machines they meant to build as an artilleryman would zero in a battery of guns, that each time machine would take its occupants to the same instant of the past, that their operation would extend over the same period of time, to the exact second. It was a problem of control and calibration-starting with a prototype that was calibrated, as its finest adjustment, for jumps of 50,000 years. Project Mastodon was finally under way. The World That Couldn't Be appeared in the January 1958 issue of Galaxy Science Fiction. Like every farmer on every planet, Duncan had to hunt down anything that damaged his crops-even though he was aware this was- The Street That Wasn't There appeared in the July 1941 issue of Comet. Mr. Jonathon Chambers left his house on Maple Street at exactly seven o'clock in the evening and set out on the daily walk he had taken, at the same time, come rain or snow, for twenty solid years. The walk never varied. He paced two blocks down Maple Street, stopped at the Red Star confectionery to buy a Rose Trofero perfecto, then walked to the end of the fourth block on Maple. There he turned right on Lexington, followed Lexington to Oak, down Oak and so by way of Lincoln back to Maple again and to his home. He didn't walk fast. He took his time. He always returned to his front door at exactly 7:45. No one ever stopped to talk with him. Even the man at the Red Star confectionery, where he bought his cigar, remained silent while the purchase was being made. Mr. Chambers merely tapped on the glass top of the counter with a coin, the man reached in and brought forth the box, and Mr. Chambers took his cigar. That was all.

Weniger Details

Clifford Donald Simak (1904 - 1988) was an American science fiction writer. He was honored by fans with three Hugo Awards and by colleagues with one Nebula Award. The Science Fiction Writers of America made him its third SFWA Grand Master and the Horror Writers Association made him one of three inaugural winners of the Bram Stoker Award for Lifetime Achievement. Simak became interested in science fiction after reading the works of H. G. Wells as a child. His first contribution to the literature was "The World of the Red Sun", published by Hugo Gernsback in the December 1931 issue of Wonder Stories. Within a year he placed three more stories in Gernsback's pulp magazines and one in Astounding Stories, then edited by Harry Bates. But his only science fiction publication between 1932 and 1938 was "The Creator" (Marvel Tales #4, March-April 1935), a story with religious implications, which was then rare in the genre. Once John W. Campbell, at the helm of Astounding from October 1937, began redefining the field, Simak returned and was a regular contributor to Astounding Science Fiction (as it was renamed in 1938) throughout the Golden Age of Science Fiction (1938-1950). At first, as in the 1939 serial novel Cosmic Engineers, he wrote in the tradition of the earlier "super science" subgenre that E. E. "Doc" Smith perfected, but he soon developed his own style, which is usually described as gentle and pastoral. During this period, Simak also published a number of war and western stories in pulp magazines. His best-known book may be City, a fix-up novel based on short stories with a common theme of mankind's eventual exodus from Earth. Simak continued to produce award-nominated novels throughout the 1950s and 1960s. Aided by a friend, he continued writing and publishing science fiction and later, fantasy into his 80s. He believed that science fiction was not rooted in scientific fact, but was responsible for the failure of the genre to be taken seriously and stated his aim was to make the genre a part of what he called "realistic fiction."